Adding all of Through the Looking-Glass

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Jean Viscogliosi-Pate 2025-09-09 19:45:36 -07:00
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#format.insert(include "adventures-in-wonderland/who-stole-the-tarts.typ")
#format.insert(include "adventures-in-wonderland/yns-evidence.typ")
#format.insert([= Through the Looking-Glass, and What Y/n Found There<through-the-looking-glass>])
#format.insert(include "through-the-looking-glass/poems/epigraph.typ")
#format.insert-outline(<through-the-looking-glass>)
#format.insert(include "through-the-looking-glass.typ")
#format.insert(include "through-the-looking-glass/looking-glass-house.typ")
#format.insert(include "through-the-looking-glass/the-garden-of-live-flowers.typ")
#format.insert(include "through-the-looking-glass/looking-glass-insects.typ")
#format.insert(include "through-the-looking-glass/tweedledum-and-tweedledee.typ")
#format.insert(include "through-the-looking-glass/wool-and-water.typ")
#format.insert(include "through-the-looking-glass/humpty-dumpty.typ")
#format.insert(include "through-the-looking-glass/the-lion-and-the-unicorn.typ")
#format.insert(include "through-the-looking-glass/its-my-own-invention.typ")
#format.insert(include "through-the-looking-glass/queen-yn.typ")
#format.insert(include "through-the-looking-glass/shaking.typ")
#format.insert(include "through-the-looking-glass/waking.typ")
#format.insert(include "through-the-looking-glass/which-dreamed-it.typ")
//#image("Back_cover.png")

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= Y/n Through the Looking-Glass <through-the-looking-glass>
== Ch 1
#lorem(50)
== Ch 2
#lorem(100)
== Ch 3
#lorem(25)

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== Humpty Dumpty
However, the egg only got larger and larger, and more and more human:
when pov/s had come within a few yards of it, pov/s saw that it had eyes
and a nose and mouth; and when pov/s had come close to it, pov/s saw
clearly that it was HUMPTY DUMPTY himself. “It can't be anybody else!”
pov/s said to pov/r. “I'm as certain of it, as if his name were written
all over his face.”
It might have been written a hundred times, easily, on that enormous
face. Humpty Dumpty was sitting with his legs crossed, like a Turk, on
the top of a high wall---such a narrow one that pov/S quite wondered how
he could keep his balance---and, as his eyes were steadily fixed in the
opposite direction, and he didn't take the least notice of pov/o, pov/s
thought he must be a stuffed figure after all.
“And how exactly like an egg he is!” pov/s said aloud, standing with
pov/p hands ready to catch him, for pov/s vrb/be/ every moment expecting
him to fall.
“It's #emph[very] provoking,” Humpty Dumpty said after a long silence,
looking away from pov/O as he spoke, “to be called an
egg---#emph[Very!];”
“I said you #emph[looked] like an egg, Sir,” pov/S gently explained.
“And some eggs are very pretty, you know” pov/s added, hoping to turn
her remark into a sort of a compliment.
“Some people,” said Humpty Dumpty, looking away from pov/o as usual,
“have no more sense than a baby!”
Pov/S didn't know what to say to this: it wasn't at all like
conversation, pov/s thought, as he never said anything to #emph[pov/o];;
in fact, his last remark was evidently addressed to a tree---so pov/s
stood and softly repeated to pov/r:---
#include "poems/humpty-dumpty.typ"
“That last line is much too long for the poetry,” pov/s added, almost
out loud, forgetting that Humpty Dumpty would hear pov/o.
“Don't stand there chattering to yourself like that,” Humpty Dumpty
said, looking at pov/o for the first time, “but tell me your name and
your business.”
“My #emph[name] is Y/n, but---”
“It's a stupid enough name!” Humpty Dumpty interrupted impatiently.
“What does it mean?”
“#emph[Must] a name mean something?” pov/S asked doubtfully.
“Of course it must,” Humpty Dumpty said with a short laugh: “#emph[my]
name means the shape I am---and a good handsome shape it is, too. With a
name like yours, you might be any shape, almost.”
“Why do you sit out here all alone?” alt/first and second or third/pov/S
said/said pov/S/, not wishing to begin an argument.
“Why, because there's nobody with me!” cried Humpty Dumpty. “Did you
think I didn't know the answer to #emph[that];? Ask another.”
“Don't you think you'd be safer down on the ground?” pov/S went on, not
with any idea of making another riddle, but simply in pov/p good-natured
anxiety for the queer creature. “That wall is so #emph[very] narrow!”
“What tremendously easy riddles you ask!” Humpty Dumpty growled out. “Of
course I don't think so! Why, if ever I #emph[did] fall off---which
there's no chance of---but #emph[if] I did---” Here he pursed his lips
and looked so solemn and grand that pov/S could hardly help laughing.
“#emph[If] I did fall,” he went on, “#emph[The King has promised
me---with his very own mouth];---to---to---”
“To send all his horses and all his men,” pov/S interrupted, rather
unwisely.
“Now I declare that's too bad!” Humpty Dumpty cried, breaking into a
sudden passion. “You've been listening at doors---and behind trees---and
down chimneys---or you couldn't have known it!”
“I haven't, indeed!” pov/S said very gently. “It's in a book.”
“Ah, well! They may write such things in a #emph[book];,” Humpty Dumpty
said in a calmer tone. “That's what you call a History of England, that
is. Now, take a good look at me! I'm one that has spoken to a King,
#emph[I] am: mayhap you'll never see such another: and to show you I'm
not proud, you may shake hands with me!” And he grinned almost from ear
to ear, as he leant forwards (and as nearly as possible fell off the
wall in doing so) and offered pov/O his hand. Pov/s watched him a little
anxiously as pov/s took it. “If he smiled much more, the ends of his
mouth might meet behind,” pov/s thought: “and then I don't know what
would happen to his head! I'm afraid it would come off!”
“Yes, all his horses and all his men,” Humpty Dumpty went on. “They'd
pick me up again in a minute, #emph[they] would! However, this
conversation is going on a little too fast: let's go back to the last
remark but one.”
“I'm afraid I can't quite remember it,” pov/S said very politely.
“In that case we start fresh,” said Humpty Dumpty, “and it's my turn to
choose a subject---” (“He talks about it just as if it was a game!”
alt/first and second or third/pov/S thought/thought pov/S/.) “So here's
a question for you. How old did you say you were?”
Pov/S made a short calculation, and said “Seven years and six months.”
“Wrong!” Humpty Dumpty exclaimed triumphantly. “You never said a word
like it!”
“I though you meant How old #emph[are] you?'” pov/S explained.
“If I'd meant that, I'd have said it,” said Humpty Dumpty.
Pov/S didn't want to begin another argument, so pov/s said nothing.
“Seven years and six months!” Humpty Dumpty repeated thoughtfully. “An
uncomfortable sort of age. Now if you'd asked #emph[my] advice, I'd have
said Leave off at seven'---but it's too late now.”
“I never ask advice about growing,” pov/S said indignantly.
“Too proud?” the other inquired.
Pov/S felt even more indignant at this suggestion. “I mean,” pov/s said,
“that one can't help growing older.”
“#emph[One] can't, perhaps,” said Humpty Dumpty, “but #emph[two] can.
With proper assistance, you might have left off at seven.”
“What a beautiful belt you've got on!” pov/S suddenly remarked.
(They had had quite enough of the subject of age, pov/s thought: and if
they really were to take turns in choosing subjects, it was pov/p turn
now.) “At least,” she corrected pov/r on second thoughts, “a beautiful
cravat, I should have said---no, a belt, I mean---I beg your pardon!”
pov/s added in dismay, for Humpty Dumpty looked thoroughly offended, and
pov/s began to wish pov/s hadn't chosen that subject. “If I only knew,”
pov/s thought to pov/r, “which was neck and which was waist!”
Evidently Humpty Dumpty was very angry, though he said nothing for a
minute or two. When he #emph[did] speak again, it was in a deep growl.
“It is a---#emph[most---provoking];---thing,” he said at last, “when a
person doesn't know a cravat from a belt!”
“I know it's very ignorant of me,” pov/S said, in so humble a tone that
Humpty Dumpty relented.
“It's a cravat, child, and a beautiful one, as you say. It's a present
from the White King and Queen. There now!”
“Is it really?” alt/first and second or third/pov/S said/said pov/S/,
quite pleased to find that pov/s #emph[had] chosen a good subject, after
all.
“They gave it me,” Humpty Dumpty continued thoughtfully, as he crossed
one knee over the other and clasped his hands round it, “they gave it
me---for an un-birthday present.”
“I beg your pardon?” pov/S said with a puzzled air.
“I'm not offended,” said Humpty Dumpty.
“I mean, what #emph[is] an un-birthday present?”
“A present given when it isn't your birthday, of course.”
Pov/S considered a little. “I like birthday presents best,” pov/s said
at last.
“You don't know what you're talking about!” cried Humpty Dumpty. “How
many days are there in a year?”
“Three hundred and sixty-five,” said pov/S.
“And how many birthdays have you?”
“One.”
“And if you take one from three hundred and sixty-five, what remains?”
“Three hundred and sixty-four, of course.”
Humpty Dumpty looked doubtful. “I'd rather see that done on paper,” he
said.
Pov/S couldn't help smiling as pov/s took out pov/p memorandum-book, and
worked the sum for him:
#include "poems/365-minus-1.typ"
Humpty Dumpty took the book, and looked at it carefully. “That seems to
be done right---” he began.
“You're holding it upside down!” pov/S interrupted.
“To be sure I was!” Humpty Dumpty said gaily, as pov/s turned it round
for him. “I thought it looked a little queer. As I was saying, that
#emph[seems] to be done right---though I haven't time to look it over
thoroughly just now---and that shows that there are three hundred and
sixty-four days when you might get un-birthday presents---”
“Certainly,” alt/first and second or third/pov/S said/said pov/S/.
“And only #emph[one] for birthday presents, you know. There's glory for
you!”
“I don't know what you mean by glory,'” pov/S said.
Humpty Dumpty smiled contemptuously. “Of course you don't---till I tell
you. I meant there's a nice knock-down argument for you!'”
“But glory' doesn't mean a nice knock-down argument,'” pov/S objected.
“When #emph[I] use a word,” Humpty Dumpty said in rather a scornful
tone, “it means just what I choose it to mean---neither more nor less.”
“The question is,” alt/first and second or third/pov/S said/said pov/S/,
“whether you #emph[can] make words mean so many different things.”
“The question is,” said Humpty Dumpty, “which is to be master---that's
all.”
Pov/S was too much puzzled to say anything, so after a minute Humpty
Dumpty began again. “They've a temper, some of them---particularly
verbs, they're the proudest---adjectives you can do anything with, but
not verbs---however, #emph[I] can manage the whole lot of them!
Impenetrability! That's what #emph[I] say!”
“Would you tell me, please,” alt/first and second or third/pov/S
said/said pov/S/ “what that means?”
“Now you talk like a reasonable child,” said Humpty Dumpty, looking very
much pleased. “I meant by impenetrability' that we've had enough of
that subject, and it would be just as well if you'd mention what you
mean to do next, as I suppose you don't mean to stop here all the rest
of your life.”
“That's a great deal to make one word mean,” pov/S said in a thoughtful
tone.
“When I make a word do a lot of work like that,” said Humpty Dumpty, “I
always pay it extra.”
“Oh!” alt/first and second or third/pov/S said/said pov/S/. Pov/s
vrb/be/ too much puzzled to make any other remark.
“Ah, you should see 'em come round me of a Saturday night,” Humpty
Dumpty went on, wagging his head gravely from side to side: “for to get
their wages, you know.”
(Pov/S didn't venture to ask what he paid them with; and so you see I
can't tell #emph[you];.)
“You seem very clever at explaining words, Sir,” alt/first and second or
third/pov/S said/said pov/S/. “Would you kindly tell me the meaning of
the poem called Jabberwocky'?”
“Let's hear it,” said Humpty Dumpty. “I can explain all the poems that
were ever invented---and a good many that haven't been invented just
yet.”
This sounded very hopeful, so pov/S repeated the first verse:
#include "poems/jabberwocky-explained.typ"
“That's enough to begin with,” Humpty Dumpty interrupted: “there are
plenty of hard words there. #emph[Brillig];' means four o'clock in the
afternoon---the time when you begin #emph[broiling] things for dinner.”
“That'll do very well,” alt/first and second or third/pov/S said/said
pov/S/: “and #emph[slithy];'?”
“Well, #emph[slithy];' means lithe and slimy.' Lithe' is the same as
active.' You see it's like a portmanteau---there are two meanings
packed up into one word.”
“I see it now,” pov/S remarked thoughtfully: “and what are
#emph[toves];'?”
“Well, #emph[toves];' are something like badgers---they're something
like lizards---and they're something like corkscrews.”
“They must be very curious looking creatures.”
“They are that,” said Humpty Dumpty: “also they make their nests under
sun-dials---also they live on cheese.”
“And what's the #emph[gyre];' and to #emph[gimble];'?”
“To #emph[gyre];' is to go round and round like a gyroscope. To
#emph[gimble];' is to make holes like a gimlet.”
“And #emph[the wabe];' is the grass-plot round a sun-dial, I suppose?”
alt/first and second or third/pov/S said/said pov/S/, surprised at pov/p
own ingenuity.
“Of course it is. It's called #emph[wabe];,' you know, because it goes
a long way before it, and a long way behind it---”
“And a long way beyond it on each side,” pov/S added.
“Exactly so. Well, then, #emph[mimsy];' is flimsy and miserable'
(there's another portmanteau for you). And a #emph[borogove];' is a
thin shabby-looking bird with its feathers sticking out all
round---something like a live mop.”
“And then #emph[mome raths];'?” alt/first and second or third/pov/S
said/said pov/S/. “I'm afraid I'm giving you a great deal of trouble.”
“Well, a #emph[rath];' is a sort of green pig: but #emph[mome];' I'm
not certain about. I think it's short for from home'---meaning that
they'd lost their way, you know.”
“And what does #emph[outgrabe];' mean?”
“Well, #emph[outgrabing];' is something between bellowing and
whistling, with a kind of sneeze in the middle: however, you'll hear it
done, maybe---down in the wood yonder---and when you've once heard it
you'll be #emph[quite] content. Who's been repeating all that hard stuff
to you?”
“I read it in a book,” alt/first and second or third/pov/S said/said
pov/S/. “But I had some poetry repeated to me, much easier than that,
by---Tweedledee, I think it was.”
“As to poetry, you know,” said Humpty Dumpty, stretching out one of his
great hands, “#emph[I] can repeat poetry as well as other folk, if it
comes to that---”
“Oh, it needn't come to that!” pov/S hastily said, hoping to keep him
from beginning.
“The piece I'm going to repeat,” he went on without noticing her remark,
“was written entirely for your amusement.”
Pov/S felt that in that case pov/s really #emph[ought] to listen to it,
so pov/s sat down, and said “Thank you” rather sadly.
#include "poems/for-your-amusement-part-1.typ"
only I don't sing it,” he added, as an explanation.
“I see you don't,” alt/first and second or third/pov/S said/said pov/S/.
“If you can #emph[see] whether I'm singing or not, you've sharper eyes
than most.” Humpty Dumpty remarked severely. pov/S vrB/be/ silent.
#include "poems/for-your-amusement-part-2.typ"
“Thank you very much,” alt/first and second or third/pov/S said/said
pov/S/.
#include "poems/for-your-amusement-part-3.typ"
“I will, if I can remember it so long,” alt/first and second or
third/pov/S said/said pov/S/.
“You needn't go on making remarks like that,” Humpty Dumpty said:
“they're not sensible, and they put me out.”
#include "poems/for-your-amusement-part-4.typ"
“I'm afraid I don't quite understand,” alt/first and second or
third/pov/S said/said pov/S/.
“It gets easier further on,” Humpty Dumpty replied.
#include "poems/for-your-amusement-part-5.typ"
Humpty Dumpty raised his voice almost to a scream as he repeated this
verse, and pov/S thought with a shudder, “I wouldn't have been the
messenger for #emph[anything];!”
#include "poems/for-your-amusement-part-6.typ"
There was a long pause.
“Is that all?” pov/S timidly asked.
“That's all,” said Humpty Dumpty. “Good-bye.”
This was rather sudden, pov/S thought: but, after such a #emph[very]
strong hint that pov/s ought to be going, pov/s felt that it would
hardly be civil to stay. So pov/s got up, and held out pov/p hand.
“Good-bye, till we meet again!” pov/s said as cheerfully as pov/s could.
“I shouldn't know you again if we #emph[did] meet,” Humpty Dumpty
replied in a discontented tone, giving pov/o one of his fingers to
shake; “you're so exactly like other people.”
“The face is what one goes by, generally,” pov/S remarked in a
thoughtful tone.
“That's just what I complain of,” said Humpty Dumpty. “Your face is the
same as everybody has---the two eyes, so---” (marking their places in
the air with this thumb) “nose in the middle, mouth under. It's always
the same. Now if you had the two eyes on the same side of the nose, for
instance---or the mouth at the top---that would be #emph[some] help.”
“It wouldn't look nice,” pov/S objected. But Humpty Dumpty only shut his
eyes and said “Wait till you've tried.”
Pov/S waited a minute to see if he would speak again, but as he never
opened his eyes or took any further notice of pov/o, pov/s said
“Good-bye!” once more, and, getting no answer to this, pov/s quietly
walked away: but pov/s couldn't help saying to pov/r as pov/s went, “Of
all the unsatisfactory---” (pov/s repeated this aloud, as it was a great
comfort to have such a long word to say) “of all the unsatisfactory
people I #emph[ever] met---” Pov/s never finished the sentence, for at
this moment a heavy crash shook the forest from end to end.

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== “It's my own Invention”
After a while the noise seemed gradually to die away, till all was dead
silence, and pov/S lifted up pov/p head in some alarm. There was no one
to be seen, and pov/p first thought was that pov/s must have been
dreaming about the Lion and the Unicorn and those queer Anglo-Saxon
Messengers. However, there was the great dish still lying at her feet,
on which pov/s had tried to cut the plum-cake, “So I wasn't dreaming,
after all,” pov/s said to pov/r, “unless---unless we're all part of the
same dream. Only I do hope it's #emph[my] dream, and not the Red King's!
I don't like belonging to another person's dream,” pov/s went on in a
rather complaining tone: “I've a great mind to go and wake him, and see
what happens!”
At this moment pov/p thoughts were interrupted by a loud shouting of
“Ahoy! Ahoy! Check!” and a Knight dressed in crimson armour came
galloping down upon pov/o, brandishing a great club. Just as he reached
pov/o, the horse stopped suddenly: “You're my prisoner!” the Knight
cried, as he tumbled off his horse.
Startled as she was, pov/S vrb/be/ more frightened for him than for
pov/r at the moment, and watched him with some anxiety as he mounted
again. As soon as he was comfortably in the saddle, he began once more
“You're my---” but here another voice broke in “Ahoy! Ahoy! Check!” and
pov/S looked round in some surprise for the new enemy.
This time it was a White Knight. He drew up at pov/P side, and tumbled
off his horse just as the Red Knight had done: then he got on again, and
the two Knights sat and looked at each other for some time without
speaking. Pov/S looked from one to the other in some bewilderment.
“Prn/s'cut/off first 1/vrn/present/be\/\/ #emph[my] prisoner, you know!”
the Red Knight said at last.
“Yes, but then #emph[I] came and rescued prn/o!” the White Knight
replied.
“Well, we must fight for prn/o, then,” said the Red Knight, as he took
up his helmet (which hung from the saddle, and was something the shape
of a horse's head), and put it on.
“You will observe the Rules of Battle, of course?” the White Knight
remarked, putting on his helmet too.
“I always do,” said the Red Knight, and they began banging away at each
other with such fury that pov/S got behind a tree to be out of the way
of the blows.
“I wonder, now, what the Rules of Battle are,” pov/s said to pov/r, as
pov/s watched the fight, timidly peeping out from pov/p hiding-place:
“one Rule seems to be, that if one Knight hits the other, he knocks him
off his horse, and if he misses, he tumbles off himself---and another
Rule seems to be that they hold their clubs with their arms, as if they
were Punch and Judy---What a noise they make when they tumble! Just like
a whole set of fire-irons falling into the fender! And how quiet the
horses are! They let them get on and off them just as if they were
tables!”
Another Rule of Battle, that pov/S had not noticed, seemed to be that
they always fell on their heads, and the battle ended with their both
falling off in this way, side by side: when they got up again, they
shook hands, and then the Red Knight mounted and galloped off.
“It was a glorious victory, wasn't it?” said the White Knight, as he
came up panting.
“I don't know,” pov/S said doubtfully. “I don't want to be anybody's
prisoner. I want to be a/an also/Queen.”
“So you will, when you've crossed the next brook,” said the White
Knight. “I'll see you safe to the end of the wood---and then I must go
back, you know. That's the end of my move.”
“Thank you very much,” alt/first and second or third/pov/S said/said
pov/S/. “May I help you off with your helmet?” It was evidently more
than he could manage by himself; however, pov/s managed to shake him out
of it at last.
“Now one can breathe more easily,” said the Knight, putting back his
shaggy hair with both hands, and turning his gentle face and large mild
eyes to pov/O. Pov/s thought pov/s had never seen such a strange-looking
soldier in all pov/p life.
He was dressed in tin armour, which seemed to fit him very badly, and he
had a queer-shaped little deal box fastened across his shoulder,
upside-down, and with the lid hanging open. Pov/S looked at it with
great curiosity.
“I see you're admiring my little box.” the Knight said in a friendly
tone. “It's my own invention---to keep clothes and sandwiches in. You
see I carry it upside-down, so that the rain can't get in.”
“But the things can get #emph[out];,” pov/S gently remarked. “Do you
know the lid's open?”
“I didn't know it,” the Knight said, a shade of vexation passing over
his face. “Then all the things must have fallen out! And the box is no
use without them.” He unfastened it as he spoke, and was just going to
throw it into the bushes, when a sudden thought seemed to strike him,
and he hung it carefully on a tree. “Can you guess why I did that?” he
said to pov/O.
Pov/S shook pov/p head.
“In hopes some bees may make a nest in it---then I should get the
honey.”
“But you've got a bee-hive---or something like one---fastened to the
saddle,” alt/first and second or third/pov/S said/said pov/S/.
“Yes, it's a very good bee-hive,” the Knight said in a discontented
tone, “one of the best kind. But not a single bee has come near it yet.
And the other thing is a mouse-trap. I suppose the mice keep the bees
out---or the bees keep the mice out, I don't know which.”
“I was wondering what the mouse-trap was for,” alt/first and second or
third/pov/S said/said pov/S/. “It isn't very likely there would be any
mice on the horse's back.”
“Not very likely, perhaps,” said the Knight: “but if they #emph[do]
come, I don't choose to have them running all about.”
“You see,” he went on after a pause, “it's as well to be provided for
#emph[everything];. That's the reason the horse has all those anklets
round his feet.”
“But what are they for?” pov/S asked in a tone of great curiosity.
“To guard against the bites of sharks,” the Knight replied. “It's an
invention of my own. And now help me on. I'll go with you to the end of
the wood---What's the dish for?”
“It's meant for plum-cake,” alt/first and second or third/pov/S
said/said pov/S/.
“We'd better take it with us,” the Knight said. “It'll come in handy if
we find any plum-cake. Help me to get it into this bag.”
This took a very long time to manage, though pov/S held the bag open
very carefully, because the Knight was so #emph[very] awkward in putting
in the dish: the first two or three times that he tried he fell in
himself instead. “It's rather a tight fit, you see,” he said, as they
got it in a last; “There are so many candlesticks in the bag.” And he
hung it to the saddle, which was already loaded with bunches of carrots,
and fire-irons, and many other things.
“I hope you've got your hair well fastened on?” he continued, as they
set off.
“Only in the usual way,” pov/S said, smiling.
“That's hardly enough,” he said, anxiously. “You see the wind is so
#emph[very] strong here. It's as strong as soup.”
“Have you invented a plan for keeping the hair from being blown off?”
pov/S enquired.
“Not yet,” said the Knight. “But I've got a plan for keeping it from
#emph[falling] off.”
“I should like to hear it, very much.”
“First you take an upright stick,” said the Knight. “Then you make your
hair creep up it, like a fruit-tree. Now the reason hair falls off is
because it hangs #emph[down];---things never fall #emph[upwards];, you
know. It's a plan of my own invention. You may try it if you like.”
It didn't sound a comfortable plan, pov/S thought, and for a few minutes
pov/s walked on in silence, puzzling over the idea, and every now and
then stopping to help the poor Knight, who certainly was #emph[not] a
good rider.
Whenever the horse stopped (which it did very often), he fell off in
front; and whenever it went on again (which it generally did rather
suddenly), he fell off behind. Otherwise he kept on pretty well, except
that he had a habit of now and then falling off sideways; and as he
generally did this on the side on which pov/S vrB/be/ walking, pov/s
soon found that it was the best plan not to walk #emph[quite] close to
the horse.
“I'm afraid you've not had much practice in riding,” pov/s ventured to
say, as pov/s was helping him up from his fifth tumble.
The Knight looked very much surprised, and a little offended at the
remark. “What makes you say that?” he asked, as he scrambled back into
the saddle, keeping hold of pov/P hair with one hand, to save himself
from falling over on the other side.
“Because people don't fall off quite so often, when they've had much
practice.”
“I've had plenty of practice,” the Knight said very gravely: “plenty of
practice!”
Pov/S could think of nothing better to say than “Indeed?” but pov/s said
it as heartily as pov/s could. They went on a little way in silence
after this, the Knight with his eyes shut, muttering to himself, and
pov/S watching anxiously for the next tumble.
“The great art of riding,” the Knight suddenly began in a loud voice,
waving his right arm as he spoke, “is to keep---” Here the sentence
ended as suddenly as it had begun, as the Knight fell heavily on the top
of his head exactly in the path where pov/S vrB/be/ walking. Pov/s
vrb/be/ quite frightened this time, and said in an anxious tone, as
pov/s picked him up, “I hope no bones are broken?”
“None to speak of,” the Knight said, as if he didn't mind breaking two
or three of them. “The great art of riding, as I was saying, is---to
keep your balance properly. Like this, you know---”
He let go the bridle, and stretched out both his arms to show pov/O what
he meant, and this time he fell flat on his back, right under the
horse's feet.
“Plenty of practice!” he went on repeating, all the time that pov/S
vrB/be/ getting him on his feet again. “Plenty of practice!”
“It's too ridiculous!” alt/first and second or third/pov/S cried/cried
pov/S/, losing all pov/p patience this time. “You ought to have a wooden
horse on wheels, that you ought!”
“Does that kind go smoothly?” the Knight asked in a tone of great
interest, clasping his arms round the horse's neck as he spoke, just in
time to save himself from tumbling off again.
“Much more smoothly than a live horse,” pov/S said, with a little scream
of laughter, in spite of all pov/s could do to prevent it.
“I'll get one,” the Knight said thoughtfully to himself. “One or
two---several.”
There was a short silence after this, and then the Knight went on again.
“I'm a great hand at inventing things. Now, I daresay you noticed, that
last time you picked me up, that I was looking rather thoughtful?”
“You #emph[were] a little grave,” alt/first and second or third/pov/S
said/said pov/S/.
“Well, just then I was inventing a new way of getting over a
gate---would you like to hear it?”
“Very much indeed,” pov/S said politely.
“I'll tell you how I came to think of it,” said the Knight. “You see, I
said to myself, The only difficulty is with the feet: the #emph[head]
is high enough already.' Now, first I put my head on the top of the
gate---then I stand on my head---then the feet are high enough, you
see---then I'm over, you see.”
“Yes, I suppose you'd be over when that was done,” pov/S said
thoughtfully: “but don't you think it would be rather hard?”
“I haven't tried it yet,” the Knight said, gravely: “so I can't tell for
certain---but I'm afraid it #emph[would] be a little hard.”
He looked so vexed at the idea, that pov/S changed the subject hastily.
“What a curious helmet you've got!” pov/s said cheerfully. “Is that your
invention too?”
The Knight looked down proudly at his helmet, which hung from the
saddle. “Yes,” he said, “but I've invented a better one than that---like
a sugar loaf. When I used to wear it, if I fell off the horse, it always
touched the ground directly. So I had a #emph[very] little way to fall,
you see---But there #emph[was] the danger of falling #emph[into] it, to
be sure. That happened to me once---and the worst of it was, before I
could get out again, the other White Knight came and put it on. He
thought it was his own helmet.”
The knight looked so solemn about it that pov/S did not dare to laugh.
“I'm afraid you must have hurt him,” pov/s said in a trembling voice,
“being on the top of his head.”
“I had to kick him, of course,” the Knight said, very seriously. “And
then he took the helmet off again---but it took hours and hours to get
me out. I was as fast as---as lightning, you know.”
“But that's a different kind of fastness,” pov/S objected.
The Knight shook his head. “It was all kinds of fastness with me, I can
assure you!” he said. He raised his hands in some excitement as he said
this, and instantly rolled out of the saddle, and fell headlong into a
deep ditch.
Pov/S ran to the side of the ditch to look for him. Pov/s vrb/be/ rather
startled by the fall, as for some time he had kept on very well, and
pov/s vrb/be/ afraid that he really #emph[was] hurt this time. However,
though pov/s could see nothing but the soles of his feet, pov/s vrb/be/
much relieved to hear that he was talking on in his usual tone. “All
kinds of fastness,” he repeated: “but it was careless of him to put
another man's helmet on---with the man in it, too.”
“How #emph[can] you go on talking so quietly, head downwards?” pov/S
asked, as pov/s dragged him out by the feet, and laid him in a heap on
the bank.
The Knight looked surprised at the question. “What does it matter where
my body happens to be?” he said. “My mind goes on working all the same.
In fact, the more head downwards I am, the more I keep inventing new
things.”
“Now the cleverest thing of the sort that I ever did,” he went on after
a pause, “was inventing a new pudding during the meat-course.”
“In time to have it cooked for the next course?” said pov/S. “Well, not
the #emph[next] course,” the Knight said in a slow thoughtful tone: “no,
certainly not the next #emph[course];.”
“Then it would have to be the next day. I suppose you wouldn't have two
pudding-courses in one dinner?”
“Well, not the #emph[next] day,” the Knight repeated as before: “not the
next #emph[day];. In fact,” he went on, holding his head down, and his
voice getting lower and lower, “I don't believe that pudding ever
#emph[was] cooked! In fact, I don't believe that pudding ever
#emph[will] be cooked! And yet it was a very clever pudding to invent.”
“What did you mean it to be made of?” pov/S asked, hoping to cheer him
up, for the poor Knight seemed quite low-spirited about it.
“It began with blotting paper,” the Knight answered with a groan.
“That wouldn't be very nice, I'm afraid---”
“Not very nice #emph[alone];,” he interrupted, quite eagerly: “but
you've no idea what a difference it makes mixing it with other
things---such as gunpowder and sealing-wax. And here I must leave you.”
They had just come to the end of the wood.
Pov/S could only look puzzled: pov/s vrb/be/ thinking of the pudding.
“You are sad,” the Knight said in an anxious tone: “let me sing you a
song to comfort you.”
“Is it very long?” pov/S asked, for pov/s had heard a good deal of
poetry that day.
“It's long,” said the Knight, “but very, #emph[very] beautiful.
Everybody that hears me sing it---either it brings the #emph[tears] into
their eyes, or else---”
“Or else what?” alt/first and second or third/pov/S said/said pov/S/,
for the Knight had made a sudden pause.
“Or else it doesn't, you know. The name of the song is called
#emph[Haddocks' Eyes];.'”
“Oh, that's the name of the song, is it?” pov/S said, trying to feel
interested.
“No, you don't understand,” the Knight said, looking a little vexed.
“That's what the name is #emph[called];. The name really #emph[is]
#emph[The Aged Aged Man];.'”
“Then I ought to have said That's what the #emph[song] is called'?”
pov/S corrected pov/r.
“No, you oughtn't: that's quite another thing! The #emph[song] is called
#emph[Ways and Means];': but that's only what it's #emph[called];, you
know!”
“Well, what #emph[is] the song, then?” alt/first and second or
third/pov/S said, being/said pov/S, who was/ by this time completely
bewildered.
“I was coming to that,” the Knight said. “The song really #emph[is]
#emph[A-sitting On A Gate];': and the tune's my own invention.”
So saying, he stopped his horse and let the reins fall on its neck:
then, slowly beating time with one hand, and with a faint smile lighting
up his gentle foolish face, as if he enjoyed the music of his song, he
began.
Of all the strange things that pov/S saw in pov/p journey Through The
Looking-Glass, this was the one that pov/s always remembered most
clearly. Years afterwards pov/s could bring the whole scene back again,
as if it had been only yesterday---the mild blue eyes and kindly smile
of the Knight---the setting sun gleaming through his hair, and shining
on his armour in a blaze of light that quite dazzled pov/o---the horse
quietly moving about, with the reins hanging loose on his neck, cropping
the grass at pov/p feet---and the black shadows of the forest
behind---all this pov/s took in like a picture, as, with one hand
shading pov/p eyes, pov/s leant against a tree, watching the strange
pair, and listening, in a half dream, to the melancholy music of the
song.
“But the tune #emph[isn't] his own invention,” pov/s said to pov/r:
“it's #emph[I give thee all, I can no more];.'” Pov/s stood and
listened very attentively, but no tears came into pov/p eyes.
#include "poems/i-give-thee-all-i-can-no-more.typ"
As the Knight sang the last words of the ballad, he gathered up the
reins, and turned his horse's head along the road by which they had
come. “You've only a few yards to go,” he said, “down the hill and over
that little brook, and then you'll be a/an also/Queen---But you'll stay
and see me off first?” he added as pov/S turned with an eager look in
the direction to which he pointed. “I shan't be long. You'll wait and
wave your handkerchief when I get to that turn in the road? I think
it'll encourage me, you see.”
“Of course I'll wait,” alt/first and second or third/pov/S said/said
pov/S/: “and thank you very much for coming so far---and for the
song---I liked it very much.”
“I hope so,” the Knight said doubtfully: “but you didn't cry so much as
I thought you would.”
So they shook hands, and then the Knight rode slowly away into the
forest. “It won't take long to see him #emph[off];, I expect,” pov/S
said to pov/r, as she stood watching him. “There he goes! Right on his
head as usual! However, he gets on again pretty easily---that comes of
having so many things hung round the horse---” So pov/s went on talking
to pov/r, as pov/s watched the horse walking leisurely along the road,
and the Knight tumbling off, first on one side and then on the other.
After the fourth or fifth tumble he reached the turn, and then pov/s
waved pov/p handkerchief to him, and waited till he was out of sight.
“I hope it encouraged him,” pov/s said, as pov/s turned to run down the
hill: “and now for the last brook, and to be a/an also/Queen! How grand
it sounds!” A very few steps brought pov/o to the edge of the brook.
“The Eighth Square at last!” pov/s cried as pov/s bounded across,
#line(length: 100%)
and threw pov/r down to rest on a lawn as soft as moss, with little
flower-beds dotted about it here and there. “Oh, how glad I am to get
here! And what #emph[is] this on my head?” pov/s exclaimed in a tone of
dismay, as pov/s put pov/p hands up to something very heavy, and fitted
tight all round her head.
“But how #emph[can] it have got there without my knowing it?” pov/s said
to pov/r, as pov/s lifted it off, and set it on pov/p lap to make out
what it could possibly be.
It was a golden crown.

View File

@ -0,0 +1,301 @@
== Looking-Glass House
One thing was certain, that the #emph[white] kitten had had nothing to
do with it:---it was the black kitten's fault entirely. For the white
kitten had been having its face washed by the old cat for the last
quarter of an hour (and bearing it pretty well, considering); so you see
that it #emph[couldn't] have had any hand in the mischief.
The way Dinah washed her children's faces was this: first she held the
poor thing down by its ear with one paw, and then with the other paw she
rubbed its face all over, the wrong way, beginning at the nose: and just
now, as I said, she was hard at work on the white kitten, which was
lying quite still and trying to purr---no doubt feeling that it was all
meant for its good.
But the black kitten had been finished with earlier in the afternoon,
and so, while pov/S vrb/be/ sitting curled up in a corner of the great
arm-chair, half talking to pov/r and half asleep, the kitten had been
having a grand game of romps with the ball of worsted pov/S had been
trying to wind up, and had been rolling it up and down till it had all
come undone again; and there it was, spread over the hearth-rug, all
knots and tangles, with the kitten running after its own tail in the
middle.
“Oh, you wicked little thing!” alt/first and second or third/pov/S
cried/cried pov/S/, catching up the kitten, and giving it a little kiss
to make it understand that it was in disgrace. “Really, Dinah ought to
have taught you better manners! You #emph[ought];, Dinah, you know you
ought!” pov/s added, looking reproachfully at the old cat, and speaking
in as cross a voice as pov/s could manage---and then pov/s scrambled
back into the arm-chair, taking the kitten and the worsted with pov/o,
and began winding up the ball again. But pov/s didn't get on very fast,
as pov/s vrb/be/ talking all the time, sometimes to the kitten, and
sometimes to pov/r. Kitty sat very demurely on pov/p knee, pretending to
watch the progress of the winding, and now and then putting out one paw
and gently touching the ball, as if it would be glad to help, if it
might.
“Do you know what to-morrow is, Kitty?” pov/S began. “You'd have guessed
if you'd been up in the window with me---only Dinah was making you tidy,
so you couldn't. I was watching the boys getting in sticks for the
bonfire---and it wants plenty of sticks, Kitty! Only it got so cold, and
it snowed so, they had to leave off. Never mind, Kitty, we'll go and see
the bonfire to-morrow.” Here pov/S wound two or three turns of the
worsted round the kitten's neck, just to see how it would look: this led
to a scramble, in which the ball rolled down upon the floor, and yards
and yards of it got unwound again.
“Do you know, I was so angry, Kitty,” pov/S went on as soon as plv/s
were comfortably settled again, “when I saw all the mischief you had
been doing, I was very nearly opening the window, and putting you out
into the snow! And you'd have deserved it, you little mischievous
darling! What have you got to say for yourself? Now don't interrupt me!”
pov/s went on, holding up one finger. “I'm going to tell you all your
faults. Number one: you squeaked twice while Dinah was washing your face
this morning. Now you can't deny it, Kitty: I heard you! What's that you
say?” (pretending that the kitten was speaking.) “Her paw went into your
eye? Well, that's #emph[your] fault, for keeping your eyes open---if
you'd shut them tight up, it wouldn't have happened. Now don't make any
more excuses, but listen! Number two: you pulled Snowdrop away by the
tail just as I had put down the saucer of milk before her! What, you
were thirsty, were you? How do you know she wasn't thirsty too? Now for
number three: you unwound every bit of the worsted while I wasn't
looking!
“That's three faults, Kitty, and you've not been punished for any of
them yet. You know I'm saving up all your punishments for Wednesday
week---Suppose they had saved up all #emph[my] punishments!” pov/s went
on, talking more to herself than the kitten. “What #emph[would] they do
at the end of a year? I should be sent to prison, I suppose, when the
day came. Or---let me see---suppose each punishment was to be going
without a dinner: then, when the miserable day came, I should have to go
without fifty dinners at once! Well, I shouldn't mind #emph[that] much!
I'd far rather go without them than eat them!
“Do you hear the snow against the window-panes, Kitty? How nice and soft
it sounds! Just as if some one was kissing the window all over outside.
I wonder if the snow #emph[loves] the trees and fields, that it kisses
them so gently? And then it covers them up snug, you know, with a white
quilt; and perhaps it says, Go to sleep, darlings, till the summer
comes again.' And when they wake up in the summer, Kitty, they dress
themselves all in green, and dance about---whenever the wind blows---oh,
that's very pretty!” alt/first and second or third/pov/S cried/cried
pov/S/, dropping the ball of worsted to clap pov/p hands. “And I do so
#emph[wish] it was true! I'm sure the woods look sleepy in the autumn,
when the leaves are getting brown.
“Kitty, can you play chess? Now, don't smile, my dear, I'm asking it
seriously. Because, when we were playing just now, you watched just as
if you understood it: and when I said Check!' you purred! Well, it
#emph[was] a nice check, Kitty, and really I might have won, if it
hadn't been for that nasty Knight, that came wiggling down among my
pieces. Kitty, dear, let's pretend---” And here I wish I could tell you
half the things pov/S used to say, beginning with pov/p favourite phrase
“Let's pretend.” Pov/s had had quite a long argument with pov/p sister
only the day before---all because pov/S had begun with “Let's pretend
we're kings and queens;” and pov/p sister, who liked being very exact,
had argued that plv/s couldn't, because there were only two of pov/o,
and pov/S had been reduced at last to say, “Well, #emph[you] can be one
of them then, and #emph[I'll] be all the rest.” And once pov/s had
really frightened pov/p old nurse by shouting suddenly in her ear,
“Nurse! Do let's pretend that I'm a hungry hyaena, and you're a bone.”
But this is taking us away from pov/P speech to the kitten. “Let's
pretend that you're the Red Queen, Kitty! Do you know, I think if you
sat up and folded your arms, you'd look exactly like her. Now do try,
there's a dear!” And pov/S got the Red Queen off the table, and set it
up before the kitten as a model for it to imitate: however, the thing
didn't succeed, principally, pov/S said, because the kitten wouldn't
fold its arms properly. So, to punish it, pov/s held it up to the
Looking-glass, that it might see how sulky it was---“and if you're not
good directly,” pov/s added, “I'll put you through into Looking-glass
House. How would you like #emph[that];?”
“Now, if you'll only attend, Kitty, and not talk so much, I'll tell you
all my ideas about Looking-glass House. First, there's the room you can
see through the glass---that's just the same as our drawing room, only
the things go the other way. I can see all of it when I get upon a
chair---all but the bit behind the fireplace. Oh! I do so wish I could
see #emph[that] bit! I want so much to know whether they've a fire in
the winter: you never #emph[can] tell, you know, unless our fire smokes,
and then smoke comes up in that room too---but that may be only
pretence, just to make it look as if they had a fire. Well then, the
books are something like our books, only the words go the wrong way; I
know that, because I've held up one of our books to the glass, and then
they hold up one in the other room.
“How would you like to live in Looking-glass House, Kitty? I wonder if
they'd give you milk in there? Perhaps Looking-glass milk isn't good to
drink---But oh, Kitty! now we come to the passage. You can just see a
little #emph[peep] of the passage in Looking-glass House, if you leave
the door of our drawing-room wide open: and it's very like our passage
as far as you can see, only you know it may be quite different on
beyond. Oh, Kitty! how nice it would be if we could only get through
into Looking-glass House! I'm sure it's got, oh! such beautiful things
in it! Let's pretend there's a way of getting through into it, somehow,
Kitty. Let's pretend the glass has got all soft like gauze, so that we
can get through. Why, it's turning into a sort of mist now, I declare!
It'll be easy enough to get through---” She was up on the chimney-piece
while she said this, though she hardly knew how she had got there. And
certainly the glass #emph[was] beginning to melt away, just like a
bright silvery mist.
In another moment pov/S vrb/be/ through the glass, and had jumped
lightly down into the Looking-glass room. The very first thing pov/s did
was to look whether there was a fire in the fireplace, and pov/s was
quite pleased to find that there was a real one, blazing away as
brightly as the one she had left behind. “So I shall be as warm here as
I was in the old room,” alt/first and second or third/pov/s
thought/thought pov/S/: “warmer, in fact, because there'll be no one
here to scold me away from the fire. Oh, what fun it'll be, when they
see me through the glass in here, and can't get at me!”
Then pov/s began looking about, and noticed that what could be seen from
the old room was quite common and uninteresting, but that all the rest
was as different as possible. For instance, the pictures on the wall
next the fire seemed to be all alive, and the very clock on the
chimney-piece (you know you can only see the back of it in the
Looking-glass) had got the face of a little old man, and grinned at
pov/o.
“They don't keep this room so tidy as the other,” pov/S thought to
pov/r, as pov/s noticed several of the chessmen down in the hearth among
the cinders: but in another moment, with a little “Oh!” of surprise,
pov/s was down on pov/p hands and knees watching them. The chessmen were
walking about, two and two!
“Here are the Red King and the Red Queen,” pov/S said (in a whisper, for
fear of frightening them), “and there are the White King and the White
Queen sitting on the edge of the shovel---and here are two castles
walking arm in arm---I don't think they can hear me,” pov/s went on, as
pov/s put pov/p head closer down, “and I'm nearly sure they can't see
me. I feel somehow as if I were invisible---”
Here something began squeaking on the table behind pov/S, and made pov/o
turn pov/p head just in time to see one of the White Pawns roll over and
begin kicking: pov/s watched it with great curiosity to see what would
happen next.
“It is the voice of my child!” the White Queen cried out as she rushed
past the King, so violently that she knocked him over among the cinders.
“My precious Lily! My imperial kitten!” and she began scrambling wildly
up the side of the fender.
“Imperial fiddlestick!” said the King, rubbing his nose, which had been
hurt by the fall. He had a right to be a #emph[little] annoyed with the
Queen, for he was covered with ashes from head to foot.
Pov/S vrb/be/ very anxious to be of use, and, as the poor little Lily
was nearly screaming herself into a fit, pov/s hastily picked up the
Queen and set her on the table by the side of her noisy little daughter.
The Queen gasped, and sat down: the rapid journey through the air had
quite taken away her breath and for a minute or two she could do nothing
but hug the little Lily in silence. As soon as she had recovered her
breath a little, she called out to the White King, who was sitting
sulkily among the ashes, “Mind the volcano!”
“What volcano?” said the King, looking up anxiously into the fire, as if
he thought that was the most likely place to find one.
“Blew---me---up,” panted the Queen, who was still a little out of
breath. “Mind you come up---the regular way---don't get blown up!”
Pov/S watched the White King as he slowly struggled up from bar to bar,
till at last pov/s said, “Why, you'll be hours and hours getting to the
table, at that rate. I'd far better help you, hadn't I?” But the King
took no notice of the question: it was quite clear that he could neither
hear pov/o nor see pov/o.
So pov/S picked him up very gently, and lifted him across more slowly
than pov/s had lifted the Queen, that pov/s mightn't take his breath
away: but, before pov/s put him on the table, pov/s thought pov/s might
as well dust him a little, he was so covered with ashes.
Pov/s said afterwards that pov/s had never seen in all pov/p life such a
face as the King made, when he found himself held in the air by an
invisible hand, and being dusted: he was far too much astonished to cry
out, but his eyes and his mouth went on getting larger and larger, and
rounder and rounder, till pov/p hand shook so with laughing that pov/s
nearly let him drop upon the floor.
“Oh! #emph[please] don't make such faces, my dear!” pov/s cried out,
quite forgetting that the King couldn't hear pov/o. “You make me laugh
so that I can hardly hold you! And don't keep your mouth so wide open!
All the ashes will get into it---there, now I think you're tidy enough!”
pov/s added, as pov/s smoothed his hair, and set him upon the table near
the Queen.
The King immediately fell flat on his back, and lay perfectly still: and
pov/S vrb/be/ a little alarmed at what pov/s had done, and went round
the room to see if pov/s could find any water to throw over him.
However, pov/s could find nothing but a bottle of ink, and when pov/s
got back with it she found he had recovered, and he and the Queen were
talking together in a frightened whisper---so low, that pov/S could
hardly hear what they said.
The King was saying, “I assure, you my dear, I turned cold to the very
ends of my whiskers!”
To which the Queen replied, “You haven't got any whiskers.”
“The horror of that moment,” the King went on, “I shall never,
#emph[never] forget!”
“You will, though,” the Queen said, “if you don't make a memorandum of
it.”
Pov/S looked on with great interest as the King took an enormous
memorandum-book out of his pocket, and began writing. A sudden thought
struck pov/o, and pov/s took hold of the end of the pencil, which came
some way over his shoulder, and began writing for him.
The poor King looked puzzled and unhappy, and struggled with the pencil
for some time without saying anything; but pov/S vrb/be/ too strong for
him, and at last he panted out, “My dear! I really #emph[must] get a
thinner pencil. I can't manage this one a bit; it writes all manner of
things that I don't intend---”
“What manner of things?” said the Queen, looking over the book (in which
pov/S had put “#emph[The White Knight is sliding down the poker. He
balances very badly];”) “That's not a memorandum of #emph[your]
feelings!”
There was a book lying near pov/O on the table, and while pov/s sat
watching the White King (for pov/s was still a little anxious about him,
and had the ink all ready to throw over him, in case he fainted again),
pov/s turned over the leaves, to find some part that pov/s could read,
“---for it's all in some language I don't know,” pov/s said to herself.
It was like this.
#include "poems/jabberwocky-mirrored.typ"
Pov/s puzzled over this for some time, but at last a bright thought
struck pov/o. “Why, it's a Looking-glass book, of course! And if I hold
it up to a glass, the words will all go the right way again.”
This was the poem that pov/S read.
#include "poems/jabberwocky.typ"
“It seems very pretty,” pov/s said when pov/s had finished it, “but it's
#emph[rather] hard to understand!” (You see pov/s didn't like to
confess, even to pov/r, that pov/s couldn't make it out at all.)
“Somehow it seems to fill my head with ideas---only I don't exactly know
what they are! However, #emph[somebody] killed #emph[something];: that's
clear, at any rate---”
“But oh!” alt/first and second or third/pov/S thought/thought pov/S/,
suddenly jumping up, “if I don't make haste I shall have to go back
through the Looking-glass, before I've seen what the rest of the house
is like! Let's have a look at the garden first!” Pov/s vrb/be/ out of
the room in a moment, and ran down stairs---or, at least, it wasn't
exactly running, but a new invention of pov/a for getting down stairs
quickly and easily, as pov/S said to pov/r. Pov/s just kept the tips of
pov/p fingers on the hand-rail, and floated gently down without even
touching the stairs with pov/p feet; then pov/s floated on through the
hall, and would have gone straight out at the door in the same way, if
pov/s hadn't caught hold of the door-post. Pov/s vrb/be/ getting a
little giddy with so much floating in the air, and was rather glad to
find pov/r walking again in the natural way.

View File

@ -0,0 +1,356 @@
== Looking-Glass Insects
Of course the first thing to do was to make a grand survey of the
country she was going to travel through. “It's something very like
learning geography,” alt/first and second or third/pov/S thought/thought
pov/S/, as pov/s stood on tiptoe in hopes of being able to see a little
further. “Principal rivers---there #emph[are] none. Principal
mountains---I'm on the only one, but I don't think it's got any name.
Principal towns---why, what #emph[are] those creatures, making honey
down there? They can't be bees---nobody ever saw bees a mile off, you
know---” and for some time pov/s stood silent, watching one of them that
was bustling about among the flowers, poking its proboscis into them,
“just as if it was a regular bee,” alt/first and second or third/pov/S
thought/thought pov/S/.
However, this was anything but a regular bee: in fact it was an
elephant---as pov/S soon found out, though the idea quite took pov/p
breath away at first. “And what enormous flowers they must be!” was
pov/p next idea. “Something like cottages with the roofs taken off, and
stalks put to them---and what quantities of honey they must make! I
think I'll go down and---no, I won't #emph[just] yet,” pov/s went on,
checking pov/r just as pov/s vrb/be/ beginning to run down the hill, and
trying to find some excuse for turning shy so suddenly. “It'll never do
to go down among them without a good long branch to brush them
away---and what fun it'll be when they ask me how I like my walk. I
shall say---Oh, I like it well enough---'” (here came the favourite
little toss of the head), “only it was so dusty and hot, and the
elephants did tease so!'”
“I think I'll go down the other way,” pov/s said after a pause: “and
perhaps I may visit the elephants later on. Besides, I do so want to get
into the Third Square!”
So with this excuse she ran down the hill and jumped over the first of
the six little brooks.
#line(length: 100%)
“Tickets, please!” said the Guard, putting his head in at the window. In
a moment everybody was holding out a ticket: they were about the same
size as the people, and quite seemed to fill the carriage.
“Now then! Show your ticket, child!” the Guard went on, looking angrily
at pov/O. And a great many voices all said together (“like the chorus of
a song,” alt/first and second or third/pov/S thought/thought pov/S/),
“Don't keep him waiting, child! Why, his time is worth a thousand pounds
a minute!”
“I'm afraid I haven't got one,” pov/S said in a frightened tone: “there
wasn't a ticket-office where I came from.” And again the chorus of
voices went on. “There wasn't room for one where prn/s came from. The
land there is worth a thousand pounds an inch!”
“Don't make excuses,” said the Guard: “you should have bought one from
the engine-driver.” And once more the chorus of voices went on with “The
man that drives the engine. Why, the smoke alone is worth a thousand
pounds a puff!”
Pov/S thought to pov/r, “Then there's no use in speaking.” The voices
didn't join in this time, as pov/s hadn't spoken, but to pov/p great
surprise, they all #emph[thought] in chorus (I hope you understand what
#emph[thinking in chorus] means---for I must confess that #emph[I]
don't), “Better say nothing at all. Language is worth a thousand pounds
a word!”
“I shall dream about a thousand pounds tonight, I know I shall!”
alt/first and second or third/pov/S thought/thought pov/S/.
All this time the Guard was looking at pov/o, first through a telescope,
then through a microscope, and then through an opera-glass. At last he
said, “You're travelling the wrong way,” and shut up the window and went
away.
“So young a child,” said the gentleman sitting opposite to pov/o (he was
dressed in white paper), “ought to know which way prn/s's going, even if
prn/s doesn't know prn/p own name!”
A Goat, that was sitting next to the gentleman in white, shut his eyes
and said in a loud voice, “She ought to know her way to the
ticket-office, even if prn/s doesn't know prn/p alphabet!”
There was a Beetle sitting next to the Goat (it was a very queer
carriage-full of passengers altogether), and, as the rule seemed to be
that they should all speak in turn, #emph[he] went on with “Prn/s'll
have to go back from here as luggage!”
Pov/S couldn't see who was sitting beyond the Beetle, but a hoarse voice
spoke next. “Change engines---” it said, and was obliged to leave off.
“It sounds like a horse,” pov/S thought to pov/r. And an extremely small
voice, close to pov/p ear, said, “You might make a joke on
that---something about horse' and hoarse,' you know.”
Then a very gentle voice in the distance said, “She must be labelled
Lass, with care,' you know---”
And after that other voices went on (“What a number of people there are
in the carriage!” alt/first and second or third/pov/S thought/thought
pov/S/), saying, “She must go by post, as she's got a head on her---”
“She must be sent as a message by the telegraph---” “She must draw the
train herself the rest of the way---” and so on.
But the gentleman dressed in white paper leaned forwards and whispered
in her ear, “Never mind what they all say, my dear, but take a
return-ticket every time the train stops.”
“Indeed I shan't!” pov/S said rather impatiently. “I don't belong to
this railway journey at all---I was in a wood just now---and I wish I
could get back there.”
“You might make a joke on #emph[that];,” said the little voice close to
her ear: “something about you #emph[would] if you could,' you know.”
“Don't tease so,” alt/first and second or third/pov/S said/said pov/S/,
looking about in vain to see where the voice came from; “if you're so
anxious to have a joke made, why don't you make one yourself?”
The little voice sighed deeply: it was #emph[very] unhappy, evidently,
and pov/S would have said something pitying to comfort it, “If it would
only sigh like other people!” pov/s thought. But this was such a
wonderfully small sigh, that pov/s wouldn't have heard it at all, if it
hadn't come #emph[quite] close to pov/p ear. The consequence of this was
that it tickled pov/p ear very much, and quite took off pov/p thoughts
from the unhappiness of the poor little creature.
“I know you are a friend,” the little voice went on; “a dear friend, and
an old friend. And you won't hurt me, though I #emph[am] an insect.”
“What kind of insect?” pov/S inquired a little anxiously. What pov/s
really wanted to know was, whether it could sting or not, but pov/s
thought this wouldn't be quite a civil question to ask.
“What, then you don't---” the little voice began, when it was drowned by
a shrill scream from the engine, and everybody jumped up in alarm, pov/S
among the rest.
The Horse, who had put his head out of the window, quietly drew it in
and said, “It's only a brook we have to jump over.” Everybody seemed
satisfied with this, though pov/S felt a little nervous at the idea of
trains jumping at all. “However, it'll take us into the Fourth Square,
that's some comfort!” pov/s said to pov/r. In another moment pov/s felt
the carriage rise straight up into the air, and in pov/p fright pov/s
caught at the thing nearest to pov/p hand, which happened to be the
Goat's beard.
#line(length: 100%)
But the beard seemed to melt away as pov/s touched it, and pov/s found
pov/r sitting quietly under a tree---while the Gnat (for that was the
insect pov/s had been talking to) was balancing itself on a twig just
over pov/p head, and fanning pov/o with its wings.
It certainly was a #emph[very] large Gnat: “about the size of a
chicken,” pov/S thought. Still, pov/s couldn't feel nervous with it,
after they had been talking together so long.
“---then you don't like all insects?” the Gnat went on, as quietly as if
nothing had happened.
“I like them when they can talk,” pov/S said. “None of them ever talk,
where #emph[I] come from.”
“What sort of insects do you rejoice in, where #emph[you] come from?”
the Gnat inquired.
“I don't #emph[rejoice] in insects at all,” pov/S explained, “because
I'm rather afraid of them---at least the large kinds. But I can tell you
the names of some of them.”
“Of course they answer to their names?” the Gnat remarked carelessly.
“I never knew them to do it.”
“What's the use of their having names,” the Gnat said, “if they won't
answer to them?”
“No use to #emph[them];,” alt/first and second or third/pov/S said/said
pov/S/; “but it's useful to the people who name them, I suppose. If not,
why do things have names at all?”
“I can't say,” the Gnat replied. “Further on, in the wood down there,
they've got no names---however, go on with your list of insects: you're
wasting time.”
“Well, there's the Horse-fly,” pov/S began, counting off the names on
pov/p fingers.
“All right,” said the Gnat: “half way up that bush, you'll see a
Rocking-horse-fly, if you look. It's made entirely of wood, and gets
about by swinging itself from branch to branch.”
“What does it live on?” pov/S asked, with great curiosity.
“Sap and sawdust,” said the Gnat. “Go on with the list.”
Pov/S looked up at the Rocking-horse-fly with great interest, and made
up pov/p mind that it must have been just repainted, it looked so bright
and sticky; and then pov/s went on.
“And there's the Dragon-fly.”
“Look on the branch above your head,” said the Gnat, “and there you'll
find a snap-dragon-fly. Its body is made of plum-pudding, its wings of
holly-leaves, and its head is a raisin burning in brandy.”
“And what does it live on?”
“Frumenty and mince pie,” the Gnat replied; “and it makes its nest in a
Christmas box.”
“And then there's the Butterfly,” pov/S went on, after pov/s had taken a
good look at the insect with its head on fire, and had thought to pov/r,
“I wonder if that's the reason insects are so fond of flying into
candles---because they want to turn into Snap-dragon-flies!”
“Crawling at your feet,” said the Gnat (pov/S drew pov/p feet back in
some alarm), “you may observe a Bread-and-Butterfly. Its wings are thin
slices of Bread-and-butter, its body is a crust, and its head is a lump
of sugar.”
“And what does #emph[it] live on?”
“Weak tea with cream in it.”
A new difficulty came into pov/S head. “Supposing it couldn't find any?”
pov/s suggested.
“Then it would die, of course.”
“But that must happen very often,” pov/S remarked thoughtfully.
“It always happens,” said the Gnat.
After this, pov/S vrb/be/ silent for a minute or two, pondering. The
Gnat amused itself meanwhile by humming round and round her head: at
last it settled again and remarked, “I suppose you don't want to lose
your name?”
“No, indeed,” pov/S said, a little anxiously.
“And yet I don't know,” the Gnat went on in a careless tone: “only think
how convenient it would be if you could manage to go home without it!
For instance, if the governess wanted to call you to your lessons, she
would call out come here---,' and there she would have to leave off,
because there wouldn't be any name for her to call, and of course you
wouldn't have to go, you know.”
“That would never do, I'm sure,” alt/first and second or third/pov/S
said/said pov/S/: “the governess would never think of excusing me
lessons for that. If she couldn't remember my name, she'd call me
Prn/h!' as the servants do.”
“Well, if she said Prn/h,' and didn't say anything more,” the Gnat
remarked, “of course you'd miss your lessons. That's a joke. I wish
#emph[you] had made it.”
“Why do you wish #emph[I] had made it?” pov/S asked. “It's a very bad
one.”
But the Gnat only sighed deeply, while two large tears came rolling down
its cheeks.
“You shouldn't make jokes,” pov/S said, “if it makes you so unhappy.”
Then came another of those melancholy little sighs, and this time the
poor Gnat really seemed to have sighed itself away, for, when pov/S
looked up, there was nothing whatever to be seen on the twig, and, as
pov/s vrb/be/ getting quite chilly with sitting still so long, pov/s got
up and walked on.
Pov/s very soon came to an open field, with a wood on the other side of
it: it looked much darker than the last wood, and pov/S felt a
#emph[little] timid about going into it. However, on second thoughts,
pov/s made up pov/p mind to go on: “for I certainly won't go
#emph[back];,” pov/s thought to pov/r, and this was the only way to the
Eighth Square.
“This must be the wood,” pov/s said thoughtfully to pov/r, “where things
have no names. I wonder what'll become of #emph[my] name when I go in? I
shouldn't like to lose it at all---because they'd have to give me
another, and it would be almost certain to be an ugly one. But then the
fun would be trying to find the creature that had got my old name!
That's just like the advertisements, you know, when people lose
dogs---#emph[answers to the name of “Dash:” had on a brass
collar];'---just fancy calling everything you met Y/n,' till one of
them answered! Only they wouldn't answer at all, if they were wise.”
Pov/s vrb/be/ rambling on in this way when pov/s reached the wood: it
looked very cool and shady. “Well, at any rate it's a great comfort,”
pov/s said as she stepped under the trees, “after being so hot, to get
into the---into #emph[what];?” pov/s went on, rather surprised at not
being able to think of the word. “I mean to get under the---under
the---under #emph[this];, you know!” putting pov/p hand on the trunk of
the tree. “What #emph[does] it call itself, I wonder? I do believe it's
got no name---why, to be sure it hasn't!”
Pov/s stood silent for a minute, thinking: then pov/s suddenly began
again. “Then it really #emph[has] happened, after all! And now, who am
I? I #emph[will] remember, if I can! I'm determined to do it!” But being
determined didn't help much, and all she could say, after a great deal
of puzzling, was, “Cap/cut/off first 1/cut/only first 2/Y/n\/\//, I
#emph[know] it begins with Cap/cut/off first 1/cut/only first
2/Y/n\/\//!”
Just then a Fawn came wandering by: it looked at pov/O with its large
gentle eyes, but didn't seem at all frightened. “Here then! Here then!”
pov/S said, as pov/s held out pov/p hand and tried to stroke it; but it
only started back a little, and then stood looking at pov/o again.
“What do you call yourself?” the Fawn said at last. Such a soft sweet
voice it had!
“I wish I knew!” alt/first and second or third/pov/S thought/thought
poor pov/S/. Pov/s answered, rather sadly, “Nothing, just now.”
“Think again,” it said: “that won't do.”
Pov/S thought, but nothing came of it. “Please, would you tell me what
#emph[you] call yourself?” pov/s said timidly. “I think that might help
a little.”
“I'll tell you, if you'll move a little further on,” the Fawn said. “I
can't remember here.”
So they walked on together though the wood, pov/S with pov/p arms
clasped lovingly round the soft neck of the Fawn, till they came out
into another open field, and here the Fawn gave a sudden bound into the
air, and shook itself free from pov/P arms. “I'm a Fawn!” it cried out
in a voice of delight, “and, dear me! you're a human child!” A sudden
look of alarm came into its beautiful brown eyes, and in another moment
it had darted away at full speed.
Pov/S stood looking after it, almost ready to cry with vexation at
having lost pov/p dear little fellow-traveller so suddenly. “However, I
know my name now.” pov/s said, “that's #emph[some] comfort.
Y/n---Y/n---I won't forget it again. And now, which of these
finger-posts ought I to follow, I wonder?”
It was not a very difficult question to answer, as there was only one
road through the wood, and the two finger-posts both pointed along it.
“I'll settle it,” pov/S said to pov/r, “when the road divides and they
point different ways.”
But this did not seem likely to happen. Pov/s went on and on, a long
way, but wherever the road divided there were sure to be two
finger-posts pointing the same way, one marked “TO TWEEDLEDUM'S HOUSE”
and the other “TO THE HOUSE OF TWEEDLEDEE.”
“I do believe,” alt/first and second or third/pov/S said/said pov/S/ at
last, “that they live in the same house! I wonder I never thought of
that before---But I can't stay there long. I'll just call and say how
d'you do?' and ask them the way out of the wood. If I could only get to
the Eighth Square before it gets dark!” So pov/s wandered on, talking to
pov/r as pov/s went, till, on turning a sharp corner, pov/s came upon
two fat little men, so suddenly that pov/s could not help starting back,
but in another moment pov/s recovered pov/r, feeling sure that they must
be.

View File

@ -0,0 +1,22 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(right)
#set block(breakable: false)
#content
])
}
#poem[
#block[
#table(
stroke: none,
columns: (auto),
[365],
[--#h(1em)1],
table.hline(),
[364]
)
]
]

View File

@ -0,0 +1,53 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
A boat beneath a sunny sky, \
Lingering onward dreamily \
In an evening of July---
]
#block[
Children three that nestle near, \
Eager eye and willing ear, \
Pleased a simple tale to hear---
]
#block[
Long has paled that sunny sky: \
Echoes fade and memories die. \
Autumn frosts have slain July.
]
#block[
Still she haunts me, phantomwise, \
Y/n moving under skies \
Never seen by waking eyes.
]
#block[
Children yet, the tale to hear, \
Eager eye and willing ear, \
Lovingly shall nestle near.
]
#block[
In a Wonderland they lie, \
Dreaming as the days go by, \
Dreaming as the summers die:
]
#block[
Ever drifting down the stream--- \
Lingering in the golden gleam--- \
Life, what is it but a dream?
]
]

View File

@ -0,0 +1,65 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
Child of the pure unclouded brow \
#h(1em)And dreaming eyes of wonder! \
Though time be fleet, and I and thou \
#h(1em)Are half a life asunder, \
Thy loving smile will surely hail \
The love-gift of a fairy-tale.
]
#block[
I have not seen thy sunny face, \
#h(1em)Nor heard thy silver laughter; \
No thought of me shall find a place \
#h(1em)In thy young life's hereafter--- \
Enough that now thou wilt not fail \
To listen to my fairy-tale.
]
#block[
A tale begun in other days, \
#h(1em)When summer suns were glowing--- \
A simple chime, that served to time \
#h(1em)The rhythm of oar rowing--- \
Whose echoes live in memory yet, \
Though envious years would say forget.'
]
#block[
Come, hearken then, ere voice of dread. \
#h(1em)With bitter tidings laden, \
Shall summon to unwelcome bed \
#h(1em)A melancholy maiden! \
We are but older children, dear, \
Who fret to find our bedtime near.
]
#block[
Without, the frost, the blinding snow. \
#h(1em)The storm-wind's moody madness--- \
Within, the firelight's ruddy glow, \
#h(1em)And childhood's nest of gladness. \
The magic words shall hold thee fast: \
Thou shalt not heed the raving blast.
]
#block[
And though the shadow of a sigh \
#h(1em)May tremble through the story, \
For happy summer days' gone by, \
#h(1em)And vanish'd summer glory--- \
It shall not touch with breath of bale \
The pleasance of our fairy-tale.
]
]

View File

@ -0,0 +1,16 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“In winter, when the fields are white, \
I sing this song for your delight---
]
]

View File

@ -0,0 +1,16 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“In spring, when woods are getting green, \
I'll try and tell you what I mean.”
]
]

View File

@ -0,0 +1,21 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“In summer, when the days are long, \
Perhaps you'll understand the song:
]
#block[
In autumn, when the leaves are brown, \
Take pen and ink, and write it down.”
]
]

View File

@ -0,0 +1,26 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“I sent a message to the fish: \
I told them This is what I wish.'
]
#block[
The little fishes of the sea, \
They sent an answer back to me.
]
#block[
The little fishes' answer was \
We cannot do it, Sir, because---'”
]
]

View File

@ -0,0 +1,51 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“I sent to them again to say \
It will be better to obey.'
]
#block[
The fishes answered with a grin, \
Why, what a temper you are in!'
]
#block[
I told them once, I told them twice: \
They would not listen to advice.
]
#block[
I took a kettle large and new, \
Fit for the deed I had to do.
]
#block[
My heart went hop, my heart went thump; \
I filled the kettle at the pump.
]
#block[
Then some one came to me and said, \
The little fishes are in bed.'
]
#block[
I said to him, I said it plain, \
Then you must wake them up again.'
]
#block[
I said it very loud and clear; \
I went and shouted in his ear.”
]
]

View File

@ -0,0 +1,36 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“But he was very stiff and proud; \
He said You needn't shout so loud!'
]
#block[
And he was very proud and stiff; \
He said I'd go and wake them, if---'
]
#block[
I took a corkscrew from the shelf: \
I went to wake them up myself.
]
#block[
And when I found the door was locked, \
I pulled and pushed and kicked and knocked.
]
#block[
And when I found the door was shut, \
I tried to turn the handle, but---”
]
]

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@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“Humpty Dumpty sat on a wall: \
Humpty Dumpty had a great fall. \
All the King's horses and all the King's men \
Couldn't put Humpty Dumpty in his place again.”
]
]

View File

@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
“Hush-a-by lady, in Y/n's lap! \
Till the feast's ready, we've time for a nap: \
When the feast's over, we'll go to the ball--- \
Red Queen, and White Queen, and Y/n, and all!
]
]

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@ -0,0 +1,121 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
“I'll tell thee everything I can; \
#h(1em)There's little to relate. \
I saw an aged aged man, \
#h(1em)A-sitting on a gate. \
Who are you, aged man?' I said, \
#h(1em)and how is it you live?' \
And his answer trickled through my head \
Like water through a sieve.
]
#block[
He said I look for butterflies \
#h(1em)That sleep among the wheat: \
I make them into mutton-pies, \
#h(1em)And sell them in the street. \
I sell them unto men,' he said, \
#h(1em)Who sail on stormy seas; \
And that's the way I get my bread--- \
#h(1em)A trifle, if you please.'
]
#block[
But I was thinking of a plan \
#h(1em)To dye one's whiskers green, \
And always use so large a fan \
#h(1em)That they could not be seen. \
So, having no reply to give \
#h(1em)To what the old man said, \
I cried, Come, tell me how you live!' \
#h(1em)And thumped him on the head.
]
#block[
His accents mild took up the tale: \
#h(1em)He said I go my ways, \
And when I find a mountain-rill, \
#h(1em)I set it in a blaze; \
And thence they make a stuff they call \
#h(1em)Rolands' Macassar Oil--- \
Yet twopence-halfpenny is all \
#h(1em)They give me for my toil.'
]
#block[
But I was thinking of a way \
#h(1em)To feed oneself on batter, \
And so go on from day to day \
#h(1em)Getting a little fatter. \
I shook him well from side to side, \
#h(1em)Until his face was blue: \
Come, tell me how you live,' I cried, \
#h(1em)And what it is you do!'
]
#block[
He said I hunt for haddocks' eyes \
#h(1em)Among the heather bright, \
And work them into waistcoat-buttons \
#h(1em)In the silent night. \
And these I do not sell for gold \
#h(1em)Or coin of silvery shine \
But for a copper halfpenny, \
#h(1em)And that will purchase nine.
]
#block[
I sometimes dig for buttered rolls, \
#h(1em)Or set limed twigs for crabs; \
I sometimes search the grassy knolls \
#h(1em)For wheels of Hansom-cabs. \
And that's the way' (he gave a wink) \
#h(1em)By which I get my wealth--- \
And very gladly will I drink \
#h(1em)Your Honour's noble health.'
]
#block[
I heard him then, for I had just \
#h(1em)Completed my design \
To keep the Menai bridge from rust \
#h(1em)By boiling it in wine. \
I thanked him much for telling me \
#h(1em)The way he got his wealth, \
But chiefly for his wish that he \
#h(1em)Might drink my noble health.
]
#block[
And now, if e'er by chance I put \
#h(1em)My fingers into glue \
Or madly squeeze a right-hand foot \
#h(1em)Into a left-hand shoe, \
Or if I drop upon my toe \
#h(1em)A very heavy weight, \
I weep, for it reminds me so, \
Of that old man I used to know--- \
Whose look was mild, whose speech was slow, \
Whose hair was whiter than the snow, \
Whose face was very like a crow, \
With eyes, like cinders, all aglow, \
Who seemed distracted with his woe, \
Who rocked his body to and fro, \
And muttered mumblingly and low, \
As if his mouth were full of dough, \
Who snorted like a buffalo--- \
That summer evening, long ago, \
#h(1em)A-sitting on a gate.”
]
]

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@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
'Twas brillig, and the slithy toves \
#h(1em)Did gyre and gimble in the wabe; \
All mimsy were the borogoves, \
#h(2em)And the mome raths outgrabe.
]
]

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@ -0,0 +1,22 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(center)
#set block(breakable: false)
#scale(x: -100%)[#content]
])
}
#poem[
#block[
#smallcaps[Jabberwocky.]
#set align(left)
#emph[
'Twas brillig, and the slithy toves \
#h(1em)Did gyre and gimble in the wabe; \
All mimsy were the borogoves, \
#h(2em)And the mome raths outgrabe.
]
]
]

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@ -0,0 +1,77 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
#set align(center)
#smallcaps[Jabberwocky.]
#set align(left)
#emph[
'Twas brillig, and the slithy toves \
#h(1em)Did gyre and gimble in the wabe; \
All mimsy were the borogoves, \
#h(2em)And the mome raths outgrabe.
]
]
#block[
#emph[
“Beware the Jabberwock, my son! \
#h(1em)The jaws that bite, the claws that catch! \
Beware the Jubjub bird, and shun \
#h(2em)The frumious Bandersnatch!”
]
]
#block[
#emph[
He took his vorpal sword in hand: \
#h(1em)Long time the manxome foe he sought--- \
So rested he by the Tumtum tree, \
#h(2em)And stood awhile in thought.
]
]
#block[
#emph[
And as in uffish thought he stood, \
#h(1em)The Jabberwock, with eyes of flame, \
Came whiffling through the tulgey wood, \
#h(2em)And burbled as it came!
]
]
#block[
#emph[
One, two! One, two! And through and through \
#h(1em)The vorpal blade went snicker-snack! \
He left it dead, and with its head \
#h(2em)He went galumphing back.
]
]
#block[
#emph[
“And hast thou slain the Jabberwock? \
#h(1em)Come to my arms, my beamish boy! \
O frabjous day! Callooh! Callay!” \
#h(2em)He chortled in his joy.
]
]
#block[
#emph[
'Twas brillig, and the slithy toves \
#h(1em)Did gyre and gimble in the wabe; \
All mimsy were the borogoves, \
#h(2em)And the mome raths outgrabe.
]
]
]

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@ -0,0 +1,39 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
#h(1em)“First, the fish must be caught.' \
That is easy: a baby, I think, could have caught it. \
#h(1em)Next, the fish must be bought.' \
That is easy: a penny, I think, would have bought it.
]
#block[
#h(1em)Now cook me the fish!' \
That is easy, and will not take more than a minute. \
#h(1em)Let it lie in a dish!' \
That is easy, because it already is in it.
]
#block[
#h(1em)Bring it here! Let me sup!' \
It is easy to set such a dish on the table. \
#h(1em)Take the dish-cover up!' \
Ah, that is so hard that I fear I'm unable!
]
#block[
#h(1em)For it holds it like glue--- \
Holds the lid to the dish, while it lies in the middle: \
#h(1em)Which is easiest to do, \
Un-dish-cover the fish, or dishcover the riddle?”
]
]

View File

@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“The Lion and the Unicorn were fighting for the crown: \
The Lion beat the Unicorn all round the town. \
Some gave them white bread, some gave them brown; \
Some gave them plum-cake and drummed them out of town.”
]
]

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@ -0,0 +1,182 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“The sun was shining on the sea, \
#h(1em)Shining with all his might: \
He did his very best to make \
#h(1em)The billows smooth and bright--- \
And this was odd, because it was \
#h(1em)The middle of the night.
]
#block[
The moon was shining sulkily, \
#h(1em)Because she thought the sun \
Had got no business to be there \
#h(1em)After the day was done--- \
It's very rude of him,' she said, \
#h(1em)To come and spoil the fun!'
]
#block[
The sea was wet as wet could be, \
#h(1em)The sands were dry as dry. \
You could not see a cloud, because \
#h(1em)No cloud was in the sky: \
No birds were flying over head--- \
#h(1em)There were no birds to fly.
]
#block[
The Walrus and the Carpenter \
#h(1em)Were walking close at hand; \
They wept like anything to see \
#h(1em)Such quantities of sand: \
If this were only cleared away,' \
#h(1em)They said, it #emph[would] be grand!'
]
#block[
If seven maids with seven mops \
#h(1em)Swept it for half a year, \
Do you suppose,' the Walrus said, \
#h(1em)That they could get it clear?' \
I doubt it,' said the Carpenter, \
#h(1em)And shed a bitter tear.
]
#block[
O Oysters, come and walk with us!' \
#h(1em)The Walrus did beseech. \
A pleasant walk, a pleasant talk, \
#h(1em)Along the briny beach: \
We cannot do with more than four, \
#h(1em)To give a hand to each.'
]
#block[
The eldest Oyster looked at him. \
#h(1em)But never a word he said: \
The eldest Oyster winked his eye, \
#h(1em)And shook his heavy head--- \
Meaning to say he did not choose \
#h(1em)To leave the oyster-bed.
]
#block[
But four young oysters hurried up, \
#h(1em)All eager for the treat: \
Their coats were brushed, their faces washed, \
#h(1em)Their shoes were clean and neat--- \
And this was odd, because, you know, \
#h(1em)They hadn't any feet.
]
#block[
O Oysters, come and walk with us!' \
#h(1em)The Walrus did beseech. \
A pleasant walk, a pleasant talk, \
#h(1em)Along the briny beach: \
We cannot do with more than four, \
#h(1em)To give a hand to each.'
]
#block[
Four other Oysters followed them, \
#h(1em)And yet another four; \
And thick and fast they came at last, \
#h(1em)And more, and more, and more--- \
All hopping through the frothy waves, \
#h(1em)And scrambling to the shore.
]
#block[
The Walrus and the Carpenter \
#h(1em)Walked on a mile or so, \
And then they rested on a rock \
#h(1em)Conveniently low: \
And all the little Oysters stood \
#h(1em)And waited in a row.
]
#block[
The time has come,' the Walrus said, \
#h(1em)To talk of many things: \
Of shoes---and ships---and sealing-wax--- \
#h(1em)Of cabbages---and kings--- \
And why the sea is boiling hot--- \
#h(1em)And whether pigs have wings.'
]
#block[
But wait a bit,' the Oysters cried, \
#h(1em)Before we have our chat; \
For some of us are out of breath, \
#h(1em)And all of us are fat!' \
No hurry!' said the Carpenter. \
#h(1em)They thanked him much for that.
]
#block[
A loaf of bread,' the Walrus said, \
#h(1em)Is what we chiefly need: \
Pepper and vinegar besides \
#h(1em)Are very good indeed--- \
Now if you're ready Oysters dear, \
#h(1em)We can begin to feed.'
]
#block[
But not on us!' the Oysters cried, \
#h(1em)Turning a little blue, \
After such kindness, that would be \
#h(1em)A dismal thing to do!' \
The night is fine,' the Walrus said \
#h(1em)Do you admire the view?
]
#block[
It was so kind of you to come! \
#h(1em)And you are very nice!' \
The Carpenter said nothing but \
#h(1em)Cut us another slice: \
I wish you were not quite so deaf--- \
#h(1em)I've had to ask you twice!'
]
#block[
It seems a shame,' the Walrus said, \
#h(1em)To play them such a trick, \
After we've brought them out so far, \
#h(1em)And made them trot so quick!' \
The Carpenter said nothing but \
#h(1em)The butter's spread too thick!'
]
#block[
I weep for you,' the Walrus said. \
#h(1em)I deeply sympathize.' \
With sobs and tears he sorted out \
#h(1em)Those of the largest size. \
Holding his pocket handkerchief \
#h(1em)Before his streaming eyes.
]
#block[
O Oysters,' said the Carpenter. \
#h(1em)You've had a pleasant run! \
Shall we be trotting home again?' \
#h(1em)But answer came there none--- \
And that was scarcely odd, because \
#h(1em)They'd eaten every one.”
]
]

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@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
“To the Looking-Glass world it was Y/n that said, \
I've a sceptre in hand, I've a crown on my head; \
Let the Looking-Glass creatures, whatever they be, \
Come and dine with the Red Queen, the White Queen, and me.'”
]
]

View File

@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
“Then fill up the glasses as quick as you can, \
And sprinkle the table with buttons and bran: \
Put cats in the coffee, and mice in the tea--- \
And welcome also/Queen Y/n with thirty-times-three!”
]
]

View File

@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
O Looking-Glass creatures,' quoth Y/n, draw near! \
'Tis an honour to see me, a favour to hear: \
'Tis a privilege high to have dinner and tea \
Along with the Red Queen, the White Queen, and me!'”
]
]

View File

@ -0,0 +1,18 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#emph(content)
])
}
#poem[
#block[
“Then fill up the glasses with treacle and ink, \
Or anything else that is pleasant to drink: \
Mix sand with the cider, and wool with the wine--- \
And welcome also/Queen Y/n with ninety-times-nine!”
]
]

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@ -0,0 +1,25 @@
#let poem(content) = {
set par(first-line-indent: 0em)
align(center, block[
#set align(left)
#set block(breakable: false)
#content
])
}
#poem[
#block[
“Tweedledum and Tweedledee \
#h(1em)Agreed to have a battle; \
For Tweedledum said Tweedledee \
#h(1em)Had spoiled his nice new rattle.
]
#block[
Just then flew down a monstrous crow, \
#h(1em)As black as a tar-barrel; \
Which frightened both the heroes so, \
#h(1em)They quite forgot their quarrel.”
]
]

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@ -0,0 +1,515 @@
== also/Queen Y/n
“Well, this #emph[is] grand!” alt/first and second or third/pov/S
said/said pov/S/. “I never expected I should be a/an also/Queen so
soon---and I'll tell you what it is, your majesty,” pov/s went on in a
severe tone (pov/s vrb/be/ always rather fond of scolding pov/r), “it'll
never do for you to be lolling about on the grass like that! also/Queens
have to be dignified, you know!”
So pov/s got up and walked about---rather stiffly just at first, as
pov/s vrb/be/ afraid that the crown might come off: but pov/s comforted
pov/r with the thought that there was nobody to see pov/o, “and if I
really am a/an also/Queen,” pov/s said as pov/s sat down again, “I shall
be able to manage it quite well in time.”
Everything was happening so oddly that pov/s didn't feel a bit surprised
at finding the Red Queen and the White Queen sitting close to pov/o, one
on each side: pov/s would have liked very much to ask them how they came
there, but pov/s feared it would not be quite civil. However, there
would be no harm, pov/s thought, in asking if the game was over.
“Please, would you tell me---” she began, looking timidly at the Red
Queen.
“Speak when you're spoken to!” The Queen sharply interrupted her.
“But if everybody obeyed that rule,” alt/first and second or third/pov/S
said/said pov/S/, who was always ready for a little argument, “and if
you only spoke when you were spoken to, and the other person always
waited for #emph[you] to begin, you see nobody would ever say anything,
so that---”
“Ridiculous!” cried the Queen. “Why, don't you see, child---” here she
broke off with a frown, and, after thinking for a minute, suddenly
changed the subject of the conversation. “What do you mean by If you
really are a/an also/Queen'? What right have you to call yourself so?
You can't be a/an also/Queen, you know, till you've passed the proper
examination. And the sooner we begin it, the better.”
“I only said if'!” alt/first and second or third/pov/S/poor pov/S/
pleaded in a piteous tone.
The two Queens looked at each other, and the Red Queen remarked, with a
little shudder, “Prn/s #emph[says] prn/s only said if'---”
“But prn/s said a great deal more than that!” the White Queen moaned,
wringing her hands. “Oh, ever so much more than that!”
“So you did, you know,” the Red Queen said to pov/O. “Always speak the
truth---think before you speak---and write it down afterwards.”
“I'm sure I didn't mean---” pov/S vrB/be/ beginning, but the Red Queen
interrupted pov/o impatiently.
“That's just what I complain of! You #emph[should] have meant! What do
you suppose is the use of child without any meaning? Even a joke should
have some meaning---and a child's more important than a joke, I hope.
You couldn't deny that, even if you tried with both hands.”
“I don't deny things with my #emph[hands];,” pov/S objected.
“Nobody said you did,” said the Red Queen. “I said you couldn't if you
tried.”
“Prn/s'cut/off first 2/vrn/present/have\/\/ in that state of mind,” said
the White Queen, “that prn/s wants to deny #emph[something];---only
prn/s vrn/do/n't know what to deny!”
“A nasty, vicious temper,” the Red Queen remarked; and then there was an
uncomfortable silence for a minute or two.
The Red Queen broke the silence by saying to the White Queen, “I invite
you to Y/n's dinner-party this afternoon.”
The White Queen smiled feebly, and said “And I invite #emph[you];.”
“I didn't know I was to have a party at all,” alt/first and second or
third/pov/S said/said pov/S/; “but if there is to be one, I think
#emph[I] ought to invite the guests.”
“We gave you the opportunity of doing it,” the Red Queen remarked: “but
I daresay you've not had many lessons in manners yet?”
“Manners are not taught in lessons,” alt/first and second or third/pov/S
said/said pov/S/. “Lessons teach you to do sums, and things of that
sort.”
“And you do Addition?” the White Queen asked. “What's one and one and
one and one and one and one and one and one and one and one?”
“I don't know,” alt/first and second or third/pov/S said/said pov/S/. “I
lost count.”
“Prn/s can't do Addition,” the Red Queen interrupted. “Can you do
Subtraction? Take nine from eight.”
“Nine from eight I can't, you know,” pov/S replied very readily:
“but---”
“She can't do Subtraction,” said the White Queen. “Can you do Division?
Divide a loaf by a knife---what's the answer to that?”
“I suppose---” pov/S vrB/be/ beginning, but the Red Queen answered for
pov/o. “Bread-and-butter, of course. Try another Subtraction sum. Take a
bone from a dog: what remains?”
Pov/S considered. “The bone wouldn't remain, of course, if I took
it---and the dog wouldn't remain; it would come to bite me---and I'm
sure #emph[I] shouldn't remain!”
“Then you think nothing would remain?” said the Red Queen.
“I think that's the answer.”
“Wrong, as usual,” said the Red Queen: “the dog's temper would remain.”
“But I don't see how---”
“Why, look here!” the Red Queen cried. “The dog would lose its temper,
wouldn't it?”
“Perhaps it would,” pov/S replied cautiously.
“Then if the dog went away, its temper would remain!” the Queen
exclaimed triumphantly.
Pov/S said, as gravely as pov/s could, “They might go different ways.”
But pov/s couldn't help thinking to pov/r, “What dreadful nonsense we
#emph[are] talking!”
“Prn/s can't do sums a #emph[bit];!” the Queens said together, with
great emphasis.
“Can #emph[you] do sums?” pov/S said, turning suddenly on the White
Queen, for pov/s didn't like being found fault with so much.
The Queen gasped and shut her eyes. “I can do Addition, if you give me
time---but I can't do Subtraction, under #emph[any] circumstances!”
“Of course you know your A B C?” said the Red Queen.
“To be sure I do.” alt/first and second or third/pov/S said/said pov/S/.
“So do I,” the White Queen whispered: “we'll often say it over together,
dear. And I'll tell you a secret---I can read words of one letter! Isn't
#emph[that] grand! However, don't be discouraged. You'll come to it in
time.”
Here the Red Queen began again. “Can you answer useful questions?” she
said. “How is bread made?”
“I know #emph[that];!” pov/S cried eagerly. “You take some flour---”
“Where do you pick the flower?” the White Queen asked. “In a garden, or
in the hedges?”
“Well, it isn't #emph[picked] at all,” pov/S explained: “it's
#emph[ground];---”
“How many acres of ground?” said the White Queen. “You mustn't leave out
so many things.”
“Fan prn/p head!” the Red Queen anxiously interrupted. “Prn/s'll be
feverish after so much thinking.” So they set to work and fanned pov/o
with bunches of leaves, till pov/s had to beg them to leave off, it blew
pov/p hair about so.
“Prn/s'cut/off first 2/vrn/present/have\/\/ all right again now,” said
the Red Queen. “Do you know Languages? What's the French for
fiddle-de-dee?”
“Fiddle-de-dee's not English,” pov/S replied gravely.
“Who ever said it was?” said the Red Queen.
Pov/S thought pov/s saw a way out of the difficulty this time. “If
you'll tell me what language fiddle-de-dee' is, I'll tell you the
French for it!” pov/s exclaimed triumphantly.
But the Red Queen drew herself up rather stiffly, and said “Queens never
make bargains.”
“I wish Queens never asked questions,” pov/S thought to pov/r.
“Don't let us quarrel,” the White Queen said in an anxious tone. “What
is the cause of lightning?”
“The cause of lightning,” pov/S said very decidedly, for pov/s felt
quite certain about this, “is the thunder---no, no!” pov/s hastily
corrected pov/r. “I meant the other way.”
“It's too late to correct it,” said the Red Queen: “when you've once
said a thing, that fixes it, and you must take the consequences.”
“Which reminds me---” the White Queen said, looking down and nervously
clasping and unclasping her hands, “we had #emph[such] a thunderstorm
last Tuesday---I mean one of the last set of Tuesdays, you know.”
Pov/S vrB/be/ puzzled. “In #emph[our] country,” pov/s remarked, “there's
only one day at a time.”
The Red Queen said, “That's a poor thin way of doing things. Now
#emph[here];, we mostly have days and nights two or three at a time, and
sometimes in the winter we take as many as five nights together---for
warmth, you know.”
“Are five nights warmer than one night, then?” pov/S ventured to ask.
“Five times as warm, of course.”
“But they should be five times as #emph[cold];, by the same rule---”
“Just so!” cried the Red Queen. “Five times as warm, #emph[and] five
times as cold---just as I'm five times as rich as you are, #emph[and]
five times as clever!”
Pov/S sighed and gave it up. “It's exactly like a riddle with no
answer!” pov/s thought.
“Humpty Dumpty saw it too,” the White Queen went on in a low voice, more
as if she were talking to herself. “He came to the door with a corkscrew
in his hand---”
“What did he want?” said the Red Queen.
“He said he #emph[would] come in,” the White Queen went on, “because he
was looking for a hippopotamus. Now, as it happened, there wasn't such a
thing in the house, that morning.”
“Is there generally?” pov/S asked in an astonished tone.
“Well, only on Thursdays,” said the Queen.
“I know what he came for,” alt/first and second or third/pov/S said/said
pov/S/: “he wanted to punish the fish, because---”
Here the White Queen began again. “It was #emph[such] a thunderstorm,
you can't think!” (“She #emph[never] could, you know,” said the Red
Queen.) “And part of the roof came off, and ever so much thunder got
in---and it went rolling round the room in great lumps---and knocking
over the tables and things---till I was so frightened, I couldn't
remember my own name!”
Pov/S thought to pov/r, “I never should #emph[try] to remember my name
in the middle of an accident! Where would be the use of it?” but pov/s
did not say this aloud, for fear of hurting the poor Queen's feeling.
“Your Majesty must excuse her,” the Red Queen said to pov/O, taking one
of the White Queen's hands in her own, and gently stroking it: “she
means well, but she can't help saying foolish things, as a general
rule.”
The White Queen looked timidly at pov/O, alt/first and second or
third/and pov/s/who/ felt pov/s #emph[ought] to say something kind, but
really couldn't think of anything at the moment.
“She never was really well brought up,” the Red Queen went on: “but it's
amazing how good-tempered she is! Pat her on the head, and see how
pleased she'll be!” But this was more than pov/S had courage to do.
“A little kindness---and putting her hair in papers---would do wonders
with her---”
The White Queen gave a deep sigh, and laid her head on pov/P shoulder.
“I #emph[am] so sleepy?” she moaned.
“She's tired, poor thing!” said the Red Queen. “Smooth her hair---lend
her your nightcap---and sing her a soothing lullaby.”
“I haven't got a nightcap with me,” alt/first and second or third/pov/S
said/said pov/S/, as pov/s tried to obey the first direction: “and I
don't know any soothing lullabies.”
“I must do it myself, then,” said the Red Queen, and she began:
#include "poems/hush-a-by-lady.typ"
“And now you know the words,” she added, as she put her head down on
pov/P other shoulder, “just sing it through to #emph[me];. I'm getting
sleepy, too.” In another moment both Queens were fast asleep, and
snoring loud.
“What #emph[am] I to do?” alt/first and second or third/pov/S
exclaimed/exclaimed pov/S/, looking about in great perplexity, as first
one round head, and then the other, rolled down from pov/p shoulder, and
lay like a heavy lump in her lap. “I don't think it #emph[ever] happened
before, that any one had to take care of two Queens asleep at once! No,
not in all the History of England---it couldn't, you know, because there
never was more than one Queen at a time. Do wake up, you heavy things!”
pov/s went on in an impatient tone; but there was no answer but a gentle
snoring.
The snoring got more distinct every minute, and sounded more like a
tune: at last pov/s could even make out the words, and pov/s listened so
eagerly that, when the two great heads vanished from her lap, pov/s
hardly missed them.
Pov/s vrb/be/ standing before an arched doorway over which were the
words CAP/also/Queen Y/n/ in large letters, and on each side of the arch
there was a bell-handle; one was marked “Visitors' Bell,” and the other
“Servants' Bell.”
“I'll wait till the song's over,” alt/first and second or third/pov/S
thought/thought pov/S/, “and then I'll ring---the---#emph[which] bell
must I ring?” pov/s went on, very much puzzled by the names. “I'm not a
visitor, and I'm not a servant. There #emph[ought] to be one marked
also/Queen,' you know---”
Just then the door opened a little way, and a creature with a long beak
put its head out for a moment and said “No admittance till the week
after next!” and shut the door again with a bang.
Pov/S knocked and rang in vain for a long time, but at last, a very old
Frog, who was sitting under a tree, got up and hobbled slowly towards
pov/o: he was dressed in bright yellow, and had enormous boots on.
“What is it, now?” the Frog said in a deep hoarse whisper.
Pov/S turned round, ready to find fault with anybody. “Where's the
servant whose business it is to answer the door?” pov/s began angrily.
“Which door?” said the Frog.
Pov/S almost stamped with irritation at the slow drawl in which he
spoke. “#emph[This] door, of course!”
The Frog looked at the door with his large dull eyes for a minute: then
he went nearer and rubbed it with his thumb, as if he were trying
whether the paint would come off; then he looked at pov/O.
“To answer the door?” he said. “What's it been asking of?” He was so
hoarse that pov/S could scarcely hear him.
“I don't know what you mean,” povs said.
“I talks English, doesn't I?” the Frog went on. “Or are you deaf? What
did it ask you?”
“Nothing!” pov/S said impatiently. “I've been knocking at it!”
“Shouldn't do that---shouldn't do that---” the Frog muttered. “Vexes it,
you know.” Then he went up and gave the door a kick with one of his
great feet. “You let #emph[it] alone,” he panted out, as he hobbled back
to his tree, “and it'll let #emph[you] alone, you know.”
At this moment the door was flung open, and a shrill voice was heard
singing:
#include "poems/to-the-looking-glass-world-part-1.typ"
And hundreds of voices joined in the chorus:
#include "poems/to-the-looking-glass-world-part-2.typ"
Then followed a confused noise of cheering, and Alice thought to
herself, “Thirty times three makes ninety. I wonder if any one's
counting?” In a minute there was silence again, and the same shrill
voice sang another verse;
#include "poems/to-the-looking-glass-world-part-3.typ"
Then came the chorus again:---
#include "poems/to-the-looking-glass-world-part-4.typ"
“Ninety times nine!” pov/S repeated in despair, “Oh, that'll never be
done! I'd better go in at once---” and there was a dead silence the
moment pov/s appeared.
Pov/S glanced nervously along the table, as pov/s walked up the large
hall, and noticed that there were about fifty guests, of all kinds: some
were animals, some birds, and there were even a few flowers among them.
“I'm glad they've come without waiting to be asked,” pov/s thought: “I
should never have known who were the right people to invite!”
There were three chairs at the head of the table; the Red and White
Queens had already taken two of them, but the middle one was empty.
Pov/S sat down in it, rather uncomfortable in the silence, and longing
for some one to speak.
At last the Red Queen began. “You've missed the soup and fish,” she
said. “Put on the joint!” And the waiters set a leg of mutton before
alt/first and second or third/pov/O. Pov/s/pov/O, who/ looked at it
rather anxiously, as pov/s had never had to carve a joint before.
“You look a little shy; let me introduce you to that leg of mutton,”
said the Red Queen. “Y/n---Mutton; Mutton---Y/n.” The leg of mutton got
up in the dish and made a little bow to pov/O; and pov/S returned the
bow, not knowing whether to be frightened or amused.
“May I give you a slice?” pov/s said, taking up the knife and fork, and
looking from one Queen to the other.
“Certainly not,” the Red Queen said, very decidedly: “it isn't etiquette
to cut any one you've been introduced to. Remove the joint!” And the
waiters carried it off, and brought a large plum-pudding in its place.
“I won't be introduced to the pudding, please,” pov/S said rather
hastily, “or we shall get no dinner at all. May I give you some?”
But the Red Queen looked sulky, and growled “Pudding---Y/n;
Y/n---Pudding. Remove the pudding!” and the waiters took it away so
quickly that pov/S couldn't return its bow.
However, pov/s didn't see why the Red Queen should be the only one to
give orders, so, as an experiment, pov/s called out “Waiter! Bring back
the pudding!” and there it was again in a moment like a conjuring-trick.
It was so large that pov/s couldn't help feeling a #emph[little] shy
with it, as pov/s had been with the mutton; however, pov/s conquered
pov/p shyness by a great effort and cut a slice and handed it to the Red
Queen.
“What impertinence!” said the Pudding. “I wonder how you'd like it, if I
were to cut a slice out of #emph[you];, you creature!”
It spoke in a thick, suety sort of voice, and pov/S hadn't a word to say
in reply: pov/s could only sit and look at it and gasp.
“Make a remark,” said the Red Queen: “it's ridiculous to leave all the
conversation to the pudding!”
“Do you know, I've had such a quantity of poetry repeated to me to-day,”
pov/S began, a little frightened at finding that, the moment pov/s
opened pov/p lips, there was dead silence, and all eyes were fixed upon
pov/o; “and it's a very curious thing, I think---every poem was about
fishes in some way. Do you know why they're so fond of fishes, all about
here?”
Pov/s spoke to the Red Queen, whose answer was a little wide of the
mark. “As to fishes,” she said, very slowly and solemnly, putting her
mouth close to pov/P ear, “her White Majesty knows a lovely riddle---all
in poetry---all about fishes. Shall she repeat it?”
“Her Red Majesty's very kind to mention it,” the White Queen murmured
into pov/P other ear, in a voice like the cooing of a pigeon. “It would
be #emph[such] a treat! May I?”
“Please do,” pov/S said very politely.
The White Queen laughed with delight, and stroked pov/P cheek. Then she
began:
#include "poems/lovely-riddle-all-about-fishes.typ"
“Take a minute to think about it, and then guess,” said the Red Queen.
“Meanwhile, we'll drink your health---also/Queen Y/n's health!” she
screamed at the top of her voice, and all the guests began drinking it
directly, and very queerly they managed it: some of them put their
glasses upon their heads like extinguishers, and drank all that trickled
down their faces---others upset the decanters, and drank the wine as it
ran off the edges of the table---and three of them (who looked like
kangaroos) scrambled into the dish of roast mutton, and began eagerly
lapping up the gravy, “just like pigs in a trough!” alt/first and second
or third/pov/S thought/thought pov/S/.
“You ought to return thanks in a neat speech,” the Red Queen said,
frowning at pov/O as she spoke.
“We must support you, you know,” the White Queen whispered, as pov/S got
up to do it, very obediently, but a little frightened.
“Thank you very much,” pov/s whispered in reply, “but I can do quite
well without.”
“That wouldn't be at all the thing,” the Red Queen said very decidedly:
so pov/S tried to submit to it with a good grace.
(“And they #emph[did] push so!” pov/s said afterwards, when pov/s
vrb/be/ telling pov/p sister the history of the feast. “You would have
thought they wanted to squeeze me flat!”)
In fact it was rather difficult for pov/o to keep in pov/p place while
pov/s made pov/p speech: the two Queens pushed pov/o so, one on each
side, that they nearly lifted pov/o up into the air: “I rise to return
thanks---” pov/S began: and pov/s really #emph[did] rise as pov/s spoke,
several inches; but pov/s got hold of the edge of the table, and managed
to pull pov/r down again.
“Take care of yourself!” screamed the White Queen, seizing pov/P hair
with both her hands. “Something's going to happen!”
And then (as pov/S afterwards described it) all sorts of things happened
in a moment. The candles all grew up to the ceiling, looking something
like a bed of rushes with fireworks at the top. As to the bottles, they
each took a pair of plates, which they hastily fitted on as wings, and
so, with forks for legs, went fluttering about in all directions: “and
very like birds they look,” pov/S thought to pov/r, as well as pov/s
could in the dreadful confusion that was beginning.
At this moment pov/s heard a hoarse laugh at pov/p side, and turned to
see what was the matter with the White Queen; but, instead of the Queen,
there was the leg of mutton sitting in the chair. “Here I am!” cried a
voice from the soup tureen, and pov/S turned again, just in time to see
the Queen's broad good-natured face grinning at pov/o for a moment over
the edge of the tureen, before she disappeared into the soup.
There was not a moment to be lost. Already several of the guests were
lying down in the dishes, and the soup ladle was walking up the table
towards pov/P chair, and beckoning to pov/o impatiently to get out of
its way.
“I can't stand this any longer!” pov/s cried as pov/s jumped up and
seized the table-cloth with both hands: one good pull, and plates,
dishes, guests, and candles came crashing down together in a heap on the
floor.
“And as for #emph[you];,” pov/s went on, turning fiercely upon the Red
Queen, whom pov/s considered as the cause of all the mischief---but the
Queen was no longer at pov/p side---she had suddenly dwindled down to
the size of a little doll, and was now on the table, merrily running
round and round after her own shawl, which was trailing behind her.
At any other time, pov/S would have felt surprised at this, but pov/s
vrb/be/ far too much excited to be surprised at anything #emph[now];.
“As for #emph[you];,” pov/s repeated, catching hold of the little
creature in the very act of jumping over a bottle which had just lighted
upon the table, “I'll shake you into a kitten, that I will!”

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@ -0,0 +1,8 @@
== Shaking
Pov/s took her off the table as pov/s spoke, and shook her backwards and
forwards with all pov/p might.
The Red Queen made no resistance whatever; only her face grew very
small, and her eyes got large and green: and still, as pov/S went on
shaking her, she kept on growing shorter---and fatter---and softer---and
rounder---and---

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@ -0,0 +1,351 @@
== The Garden of Live Flowers
“I should see the garden far better,” alt/first and second or
third/pov/S said/said pov/S/ to pov/r, “if I could get to the top of
that hill: and here's a path that leads straight to it---at least, no,
it doesn't do that---” (after going a few yards along the path, and
turning several sharp corners), “but I suppose it will at last. But how
curiously it twists! It's more like a corkscrew than a path! Well,
#emph[this] turn goes to the hill, I suppose---no, it doesn't! This goes
straight back to the house! Well then, I'll try it the other way.”
And so pov/s did: wandering up and down, and trying turn after turn, but
always coming back to the house, do what pov/s would. Indeed, once, when
pov/s turned a corner rather more quickly than usual, pov/s ran against
it before pov/s could stop pov/r.
“It's no use talking about it,” pov/S said, looking up at the house and
pretending it was arguing with pov/o. “I'm #emph[not] going in again
yet. I know I should have to get through the Looking-glass again---back
into the old room---and there'd be an end of all my adventures!”
So, resolutely turning pov/p back upon the house, pov/s set out once
more down the path, determined to keep straight on till pov/s got to the
hill. For a few minutes all went on well, and pov/s vrb/be/ just saying,
“I really #emph[shall] do it this time---” when the path gave a sudden
twist and shook itself (as pov/s described it afterwards), and the next
moment pov/s found herself actually walking in at the door.
“Oh, it's too bad!” pov/s cried. “I never saw such a house for getting
in the way! Never!”
However, there was the hill full in sight, so there was nothing to be
done but start again. This time pov/s came upon a large flower-bed, with
a border of daisies, and a willow-tree growing in the middle.
“O Tiger-lily,” alt/first and second or third/pov/S said/said pov/S/,
addressing pov/r to one that was waving gracefully about in the wind, “I
#emph[wish] you could talk!”
“We #emph[can] talk,” said the Tiger-lily: “when there's anybody worth
talking to.”
Pov/S was so astonished that pov/s could not speak for a minute: it
quite seemed to take pov/o breath away. At length, as the Tiger-lily
only went on waving about, pov/s spoke again, in a timid voice---almost
in a whisper. “And can #emph[all] the flowers talk?”
“As well as #emph[you] can,” said the Tiger-lily. “And a great deal
louder.”
“It isn't manners for us to begin, you know,” said the Rose, “and I
really was wondering when you'd speak! Said I to myself, Prn/p face has
got #emph[some] sense in it, though it's not a clever one!' Still,
you're the right colour, and that goes a long way.”
“I don't care about the colour,” the Tiger-lily remarked. “If only prn/p
petals curled up a little more, prn/s'd be all right.”
Pov/S didn't like being criticised, so pov/s began asking questions.
“Aren't you sometimes frightened at being planted out here, with nobody
to take care of you?”
“There's the tree in the middle,” said the Rose: “what else is it good
for?”
“But what could it do, if any danger came?” pov/S asked.
“It says Bough-wough!'” cried a Daisy: “that's why its branches are
called boughs!”
“Didn't you know #emph[that];?” cried another Daisy, and here they all
began shouting together, till the air seemed quite full of little shrill
voices. “Silence, every one of you!” cried the Tiger-lily, waving itself
passionately from side to side, and trembling with excitement. “They
know I can't get at them!” it panted, bending its quivering head towards
pov/S, “or they wouldn't dare to do it!”
“Never mind!” pov/S said in a soothing tone, and stooping down to the
daisies, who were just beginning again, pov/s whispered, “If you don't
hold your tongues, I'll pick you!”
There was silence in a moment, and several of the pink daisies turned
white.
“That's right!” said the Tiger-lily. “The daisies are worst of all. When
one speaks, they all begin together, and it's enough to make one wither
to hear the way they go on!”
“How is it you can all talk so nicely?” pov/S said, hoping to get it
into a better temper by a compliment. “I've been in many gardens before,
but none of the flowers could talk.”
“Put your hand down, and feel the ground,” said the Tiger-lily. “Then
you'll know why.”
Pov/S did so. “It's very hard,” pov/s said, “but I don't see what that
has to do with it.”
“In most gardens,” the Tiger-lily said, “they make the beds too
soft---so that the flowers are always asleep.”
This sounded a very good reason, and pov/S vrb/be/ quite pleased to know
it. “I never thought of that before!” pov/s said.
“It's #emph[my] opinion that you never think #emph[at all];,” the Rose
said in a rather severe tone.
“I never saw anybody that looked stupider,” a Violet said, so suddenly,
that pov/S quite jumped; for it hadn't spoken before.
“Hold #emph[your] tongue!” cried the Tiger-lily. “As if #emph[you] ever
saw anybody! You keep your head under the leaves, and snore away there,
till you know no more what's going on in the world, than if you were a
bud!”
“Are there any more people in the garden besides me?” pov/S said, not
choosing to notice the Rose's last remark.
“There's one other flower in the garden that can move about like you,”
said the Rose. “I wonder how you do it---” (“You're always wondering,”
said the Tiger-lily), “but she's more bushy than you are.”
“Is she like me?” pov/S asked eagerly, for the thought crossed pov/s
mind, “There's ife/prn/n is girl/another/a/ little girl in the garden,
somewhere!”
“Well, she has the same awkward shape as you,” the Rose said, “but she's
redder---and her petals are shorter, I think.”
“Her petals are done up close, almost like a dahlia,” the Tiger-lily
interrupted: “not tumbled about anyhow, like yours.”
“But that's not #emph[your] fault,” the Rose added kindly: “you're
beginning to fade, you know---and then one can't help one's petals
getting a little untidy.”
Pov/S didn't like this idea at all: so, to change the subject, pov/s
asked “Does she ever come out here?”
“I daresay you'll see her soon,” said the Rose. “She's one of the thorny
kind.”
“Where does she wear the thorns?” pov/S asked with some curiosity.
“Why all round her head, of course,” the Rose replied. “I was wondering
#emph[you] hadn't got some too. I thought it was the regular rule.”
“She's coming!” cried the Larkspur. “I hear her footstep, thump, thump,
thump, along the gravel-walk!”
Pov/S looked round eagerly, and found that it was the Red Queen. “She's
grown a good deal!” was pov/p first remark. She had indeed: when pov/S
first found her in the ashes, she had been only three inches high---and
here she was, half a head taller than pov/S pov/r!
“It's the fresh air that does it,” said the Rose: “wonderfully fine air
it is, out here.”
“I think I'll go and meet her,” alt/first and second or third/pov/S
said/said pov/S/, for, though the flowers were interesting enough, pov/s
felt that it would be far grander to have a talk with a real Queen.
“You can't possibly do that,” said the Rose: “#emph[I] should advise you
to walk the other way.”
This sounded nonsense to pov/O, so pov/s said nothing, but set off at
once towards the Red Queen. To pov/p surprise, pov/s lost sight of her
in a moment, and found pov/r walking in at the front-door again.
A little provoked, pov/s drew back, and after looking everywhere for the
queen (whom pov/s spied out at last, a long way off), pov/s thought she
would try the plan, this time, of walking in the opposite direction.
It succeeded beautifully. Pov/s had not been walking a minute before
pov/s found pov/r face to face with the Red Queen, and full in sight of
the hill pov/s had been so long aiming at.
“Where do you come from?” said the Red Queen. “And where are you going?
Look up, speak nicely, and don't twiddle your fingers all the time.”
Pov/S attended to all these directions, and explained, as well as pov/s
could, that pov/s had lost pov/p way.
“I don't know what you mean by #emph[your] way,” said the Queen: “all
the ways about here belong to #emph[me];---but why did you come out here
at all?” she added in a kinder tone. “Curtsey while you're thinking what
to say, it saves time.”
Pov/S wondered a little at this, but pov/s was too much in awe of the
Queen to disbelieve it. “I'll try it when I go home,” pov/s thought to
pov/r, “the next time I'm a little late for dinner.”
“It's time for you to answer now,” the Queen said, looking at her watch:
“open your mouth a #emph[little] wider when you speak, and always say
your Majesty.'”
“I only wanted to see what the garden was like, your Majesty---”
“That's right,” said the Queen, patting pov/o on the head, which pov/S
didn't like at all, “though, when you say garden,'---#emph[I've] seen
gardens, compared with which this would be a wilderness.”
Pov/S didn't dare to argue the point, but went on: “---and I thought I'd
try and find my way to the top of that hill---”
“When you say hill,'” the Queen interrupted, “#emph[I] could show you
hills, in comparison with which you'd call that a valley.”
“No, I shouldn't,” alt/first and second or third/pov/S said/said pov/S/,
surprised into contradicting her at last: “a hill #emph[can't] be a
valley, you know. That would be nonsense---”
The Red Queen shook her head, “You may call it nonsense' if you like,”
she said, “but #emph[I've] heard nonsense, compared with which that
would be as sensible as a dictionary!”
Pov/S curtseyed again, as pov/s vrb/be/ afraid from the Queen's tone
that she was a #emph[little] offended: and they walked on in silence
till they got to the top of the little hill.
For some minutes pov/S stood without speaking, looking out in all
directions over the country---and a most curious country it was. There
were a number of tiny little brooks running straight across it from side
to side, and the ground between was divided up into squares by a number
of little green hedges, that reached from brook to brook.
“I declare it's marked out just like a large chessboard!” pov/S said at
last. “There ought to be some men moving about somewhere---and so there
are!” Pov/s added in a tone of delight, and pov/p heart began to beat
quick with excitement as pov/s went on. “It's a great huge game of chess
that's being played---all over the world---if this #emph[is] the world
at all, you know. Oh, what fun it is! How I #emph[wish] I was one of
them! I wouldn't mind being a Pawn, if only I might join---though of
course I should #emph[like] to be a/an also/Queen, best.”
Pov/s glanced rather shyly at the real Queen as pov/s said this, but
pov/p companion only smiled pleasantly, and said, “That's easily
managed. You can be the White Queen's Pawn, if you like, as Lily's too
young to play; and you're in the Second Square to begin with: when you
get to the Eighth Square you'll be a/an also/Queen---” Just at this
moment, somehow or other, they began to run.
Pov/S never could quite make out, in thinking it over afterwards, how it
was that they began: all pov/s remembers is, that they were running hand
in hand, and the Queen went so fast that it was all pov/s could do to
keep up with her: and still the Queen kept crying “Faster! Faster!” but
pov/S felt she #emph[could not] go faster, though pov/s had not breath
left to say so.
The most curious part of the thing was, that the trees and the other
things round them never changed their places at all: however fast they
went, they never seemed to pass anything. “I wonder if all the things
move along with us?” thought poor puzzled pov/O. And the Queen seemed to
guess pov/p thoughts, for she cried, “Faster! Don't try to talk!”
Not that pov/S had any idea of doing #emph[that];. Pov/s felt as if
pov/s would never be able to talk again, pov/s vrb/be/ getting so much
out of breath: and still the Queen cried “Faster! Faster!” and dragged
pov/o along. “Are we nearly there?” Pov/S managed to pant out at last.
“Nearly there!” the Queen repeated. “Why, we passed it ten minutes ago!
Faster!” And they ran on for a time in silence, with the wind whistling
in pov/P ears, and almost blowing pov/p hair off pov/p head, pov/s
fancied.
“Now! Now!” cried the Queen. “Faster! Faster!” And they went so fast
that at last they seemed to skim through the air, hardly touching the
ground with their feet, till suddenly, just as pov/S vrb/be/ getting
quite exhausted, they stopped, and pov/s found pov/r sitting on the
ground, breathless and giddy.
The Queen propped pov/s up against a tree, and said kindly, “You may
rest a little now.”
Pov/S looked round her in great surprise. “Why, I do believe we've been
under this tree the whole time! Everything's just as it was!”
“Of course it is,” said the Queen, “what would you have it?”
“Well, in #emph[our] country,” alt/first and second or third/pov/S
said/said pov/S/, still panting a little, “you'd generally get to
somewhere else---if you ran very fast for a long time, as we've been
doing.”
“A slow sort of country!” said the Queen. “Now, #emph[here];, you see,
it takes all the running #emph[you] can do, to keep in the same place.
If you want to get somewhere else, you must run at least twice as fast
as that!”
“I'd rather not try, please!” alt/first and second or third/pov/S
said/said pov/S/. “I'm quite content to stay here---only I #emph[am] so
hot and thirsty!”
“I know what #emph[you'd] like!” the Queen said good-naturedly, taking a
little box out of her pocket. “Have a biscuit?”
Pov/S thought it would not be civil to say “No,” though it wasn't at all
what pov/s wanted. So pov/s took it, and ate it as well as she could:
and it was #emph[very] dry; and pov/s thought pov/s had never been so
nearly choked in all her life.
“While you're refreshing yourself,” said the Queen, “I'll just take the
measurements.” And she took a ribbon out of her pocket, marked in
inches, and began measuring the ground, and sticking little pegs in here
and there.
“At the end of two yards,” she said, putting in a peg to mark the
distance, “I shall give you your directions---have another biscuit?”
“No, thank you,” alt/first and second or third/pov/S said/said pov/S/:
“one's #emph[quite] enough!”
“Thirst quenched, I hope?” said the Queen.
Pov/S did not know what to say to this, but luckily the Queen did not
wait for an answer, but went on. “At the end of #emph[three] yards I
shall repeat them---for fear of your forgetting them. At the end of
#emph[four];, I shall say good-bye. And at the end of #emph[five];, I
shall go!”
She had got all the pegs put in by this time, and pov/S looked on with
great interest as she returned to the tree, and then began slowly
walking down the row.
At the two-yard peg she faced round, and said, “A pawn goes two squares
in its first move, you know. So you'll go #emph[very] quickly through
the Third Square---by railway, I should think---and you'll find yourself
in the Fourth Square in no time. Well, #emph[that] square belongs to
Tweedledum and Tweedledee---the Fifth is mostly water---the Sixth
belongs to Humpty Dumpty---But you make no remark?”
“I---I didn't know I had to make one---just then,” pov/S faltered out.
“You #emph[should] have said, It's extremely kind of you to tell me all
this'---however, we'll suppose it said---the Seventh Square is all
forest---however, one of the Knights will show you the way---and in the
Eighth Square we shall be Queens together, and it's all feasting and
fun!” pov/S got up and curtseyed, and sat down again.
At the next peg the Queen turned again, and this time she said, “Speak
in French when you can't think of the English for a thing---turn out
your toes as you walk---and remember who you are!” She did not wait for
pov/O to curtsey this time, but walked on quickly to the next peg, where
she turned for a moment to say “good-bye,” and then hurried on to the
last.
How it happened, pov/S never knew, but exactly as she came to the last
peg, she was gone. Whether she vanished into the air, or whether she ran
quickly into the wood (“and she #emph[can] run very fast!” alt/first and
second or third/pov/S thought/thought pov/S/), there was no way of
guessing, but she was gone, and pov/S began to remember that pov/s was a
Pawn, and that it would soon be time for her to move.

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== The Lion and the Unicorn
The next moment soldiers came running through the wood, at first in twos
and threes, then ten or twenty together, and at last in such crowds that
they seemed to fill the whole forest. Pov/S got behind a tree, for fear
of being run over, and watched them go by.
Pov/s thought that in all pov/p life pov/s had never seen soldiers so
uncertain on their feet: they were always tripping over something or
other, and whenever one went down, several more always fell over him, so
that the ground was soon covered with little heaps of men.
Then came the horses. Having four feet, these managed rather better than
the foot-soldiers: but even #emph[they] stumbled now and then; and it
seemed to be a regular rule that, whenever a horse stumbled the rider
fell off instantly. The confusion got worse every moment, and pov/S
vrB/be/ very glad to get out of the wood into an open place, where pov/s
found the White King seated on the ground, busily writing in his
memorandum-book.
“I've sent them all!” the King cried in a tone of delight, on seeing
pov/O. “Did you happen to meet any soldiers, my dear, as you came
through the wood?”
“Yes, I did,” alt/first and second or third/pov/S said/said pov/S/:
“several thousand, I should think.”
“Four thousand two hundred and seven, that's the exact number,” the King
said, referring to his book. “I couldn't send all the horses, you know,
because two of them are wanted in the game. And I haven't sent the two
Messengers, either. They're both gone to the town. Just look along the
road, and tell me if you can see either of them.”
“I see nobody on the road,” alt/first and second or third/pov/S
said/said pov/S/.
“I only wish #emph[I] had such eyes,” the King remarked in a fretful
tone. “To be able to see Nobody! And at that distance, too! Why, it's as
much as #emph[I] can do to see real people, by this light!”
All this was lost on pov/O, who was still looking intently along the
road, shading pov/p eyes with one hand. “I see somebody now!” pov/s
exclaimed at last. “But he's coming very slowly---and what curious
attitudes he goes into!” (For the messenger kept skipping up and down,
and wriggling like an eel, as he came along, with his great hands spread
out like fans on each side.)
“Not at all,” said the King. “He's an Anglo-Saxon Messenger---and those
are Anglo-Saxon attitudes. He only does them when he's happy. His name
is Haigha.” (He pronounced it so as to rhyme with “mayor.”)
“I love my love with an H,” pov/S couldn't help beginning, “because he
is Happy. I hate him with an H, because he is Hideous. I fed him
with---with---with Ham-sandwiches and Hay. His name is Haigha, and he
lives---”
“He lives on the Hill,” the King remarked simply, without the least idea
that he was joining in the game, while pov/S vrB/be/ still hesitating
for the name of a town beginning with H. “The other Messenger's called
Hatta. I must have #emph[two];, you know---to come and go. One to come,
and one to go.”
“I beg your pardon?” alt/first and second or third/pov/S said/said
pov/S/.
“It isn't respectable to beg,” said the King.
“I only meant that I didn't understand,” alt/first and second or
third/pov/S said/said pov/S/. “Why one to come and one to go?”
“Didn't I tell you?” the King repeated impatiently. “I must have
#emph[two];---to fetch and carry. One to fetch, and one to carry.”
At this moment the Messenger arrived: he was far too much out of breath
to say a word, and could only wave his hands about, and make the most
fearful faces at the poor King.
“This young also/lady loves you with an H,” the King said, introducing
pov/O in the hope of turning off the Messenger's attention from
himself---but it was no use---the Anglo-Saxon attitudes only got more
extraordinary every moment, while the great eyes rolled wildly from side
to side.
“You alarm me!” said the King. “I feel faint---Give me a ham sandwich!”
On which the Messenger, to pov/P great amusement, opened a bag that hung
round his neck, and handed a sandwich to the King, who devoured it
greedily.
“Another sandwich!” said the King.
“There's nothing but hay left now,” the Messenger said, peeping into the
bag.
“Hay, then,” the King murmured in a faint whisper.
Pov/S vrB/be/ glad to see that it revived him a good deal. “There's
nothing like eating hay when you're faint,” he remarked to pov/o, as he
munched away.
“I should think throwing cold water over you would be better,” pov/S
suggested: “or some sal-volatile.”
“I didn't say there was nothing #emph[better];,” the King replied. “I
said there was nothing #emph[like] it.” Which pov/S did not venture to
deny.
“Who did you pass on the road?” the King went on, holding out his hand
to the Messenger for some more hay.
“Nobody,” said the Messenger.
“Quite right,” said the King: “this young also/lady saw him too. So of
course Nobody walks slower than you.”
“I do my best,” the Messenger said in a sulky tone. “I'm sure nobody
walks much faster than I do!”
“He can't do that,” said the King, “or else he'd have been here first.
However, now you've got your breath, you may tell us what's happened in
the town.”
“I'll whisper it,” said the Messenger, putting his hands to his mouth in
the shape of a trumpet, and stooping so as to get close to the King's
ear. Pov/S vrB/be/ sorry for this, as pov/s wanted to hear the news too.
However, instead of whispering, he simply shouted at the top of his
voice “They're at it again!”
“Do you call #emph[that] a whisper?” cried the poor King, jumping up and
shaking himself. “If you do such a thing again, I'll have you buttered!
It went through and through my head like an earthquake!”
“It would have to be a very tiny earthquake!” alt/first and second or
third/pov/S thought/thought pov/S/. “Who are at it again?” pov/s
ventured to ask.
“Why the Lion and the Unicorn, of course,” said the King.
“Fighting for the crown?”
“Yes, to be sure,” said the King: “and the best of the joke is, that
it's #emph[my] crown all the while! Let's run and see them.” And they
trotted off, pov/O repeating to pov/r, as pov/s ran, the words of the
old song:---
#include "poems/the-lion-and-the-unicorn.typ"
“Does---the one---that wins---get the crown?” pov/s asked, as well as
pov/s could, for the run was putting pov/o quite out of breath.
“Dear me, no!” said the King. “What an idea!”
“Would you---be good enough,” pov/S panted out, after running a little
further, “to stop a minute---just to get---one's breath again?”
“I'm #emph[good] enough,” the King said, “only I'm not strong enough.
You see, a minute goes by so fearfully quick. You might as well try to
stop a Bandersnatch!”
Pov/S had no more breath for talking, so they trotted on in silence,
till they came in sight of a great crowd, in the middle of which the
Lion and Unicorn were fighting. They were in such a cloud of dust, that
at first pov/S could not make out which was which: but pov/s soon
managed to distinguish the Unicorn by his horn.
They placed themselves close to where Hatta, the other messenger, was
standing watching the fight, with a cup of tea in one hand and a piece
of bread-and-butter in the other.
“He's only just out of prison, and he hadn't finished his tea when he
was sent in,” Haigha whispered to pov/O: “and they only give them
oyster-shells in there---so you see he's very hungry and thirsty. How
are you, dear child?” he went on, putting his arm affectionately round
Hatta's neck.
Hatta looked round and nodded, and went on with his bread and butter.
“Were you happy in prison, dear child?” said Haigha.
Hatta looked round once more, and this time a tear or two trickled down
his cheek: but not a word would he say.
“Speak, can't you!” Haigha cried impatiently. But Hatta only munched
away, and drank some more tea.
“Speak, won't you!” cried the King. “How are they getting on with the
fight?”
Hatta made a desperate effort, and swallowed a large piece of
bread-and-butter. “They're getting on very well,” he said in a choking
voice: “each of them has been down about eighty-seven times.”
“Then I suppose they'll soon bring the white bread and the brown?” pov/S
ventured to remark.
“It's waiting for 'em now,” said Hatta: “this is a bit of it as I'm
eating.”
There was a pause in the fight just then, and the Lion and the Unicorn
sat down, panting, while the King called out “Ten minutes allowed for
refreshments!” Haigha and Hatta set to work at once, carrying rough
trays of white and brown bread. Pov/S took a piece to taste, but it was
#emph[very] dry.
“I don't think they'll fight any more to-day,” the King said to Hatta:
“go and order the drums to begin.” And Hatta went bounding away like a
grasshopper.
For a minute or two pov/S stood silent, watching him. Suddenly pov/s
brightened up. “Look, look!” pov/s cried, pointing eagerly. “There's the
White Queen running across the country! She came flying out of the wood
over yonder---How fast those Queens #emph[can] run!”
“There's some enemy after her, no doubt,” the King said, without even
looking round. “That wood's full of them.”
“But aren't you going to run and help her?” pov/S asked, very much
surprised at his taking it so quietly.
“No use, no use!” said the King. “She runs so fearfully quick. You might
as well try to catch a Bandersnatch! But I'll make a memorandum about
her, if you like---She's a dear good creature,” he repeated softly to
himself, as he opened his memorandum-book. “Do you spell creature' with
a double e'?”
At this moment the Unicorn sauntered by them, with his hands in his
pockets. “I had the best of it this time?” he said to the King, just
glancing at him as he passed.
“A little---a little,” the King replied, rather nervously. “You
shouldn't have run him through with your horn, you know.”
“It didn't hurt him,” the Unicorn said carelessly, and he was going on,
when his eye happened to fall upon pov/O: he turned round rather
instantly, and stood for some time looking at pov/o with an air of the
deepest disgust.
“What---is---this?” he said at last.
“This is a child!” Haigha replied eagerly, coming in front of pov/O to
introduce pov/o, and spreading out both his hands towards pov/o in an
Anglo-Saxon attitude. “We only found it to-day. It's as large as life,
and twice as natural!”
“I always thought they were fabulous monsters!” said the Unicorn. “Is it
alive?”
“It can talk,” said Haigha, solemnly.
The Unicorn looked dreamily at pov/O, and said “Talk, child.”
Pov/S could not help pov/p lips curling up into a smile as pov/s began:
“Do you know, I always thought Unicorns were fabulous monsters, too! I
never saw one alive before!”
“Well, now that we #emph[have] seen each other,” said the Unicorn, “if
you'll believe in me, I'll believe in you. Is that a bargain?”
“Yes, if you like,” alt/first and second or third/pov/S said/said
pov/S/.
“Come, fetch out the plum-cake, old man!” the Unicorn went on, turning
from pov/o to the King. “None of your brown bread for me!”
“Certainly---certainly!” the King muttered, and beckoned to Haigha.
“Open the bag!” he whispered. “Quick! Not that one---that's full of
hay!”
Haigha took a large cake out of the bag, and gave it to pov/O to hold,
while he got out a dish and carving-knife. How they all came out of it
pov/S couldn't guess. It was just like a conjuring-trick, she thought.
The Lion had joined them while this was going on: he looked very tired
and sleepy, and his eyes were half shut. “What's this!” he said,
blinking lazily at pov/O, and speaking in a deep hollow tone that
sounded like the tolling of a great bell.
“Ah, what #emph[is] it, now?” the Unicorn cried eagerly. “You'll never
guess! #emph[I] couldn't.”
The Lion looked at pov/O wearily. “Are you animal---vegetable---or
mineral?” he said, yawning at every other word.
“It's a fabulous monster!” the Unicorn cried out, before pov/S could
reply.
“Then hand round the plum-cake, Monster,” the Lion said, lying down and
putting his chin on his paws. “And sit down, both of you,” (to the King
and the Unicorn): “fair play with the cake, you know!”
The King was evidently very uncomfortable at having to sit down between
the two great creatures; but there was no other place for him.
“What a fight we might have for the crown, #emph[now];!” the Unicorn
said, looking slyly up at the crown, which the poor King was nearly
shaking off his head, he trembled so much.
“I should win easy,” said the Lion.
“I'm not so sure of that,” said the Unicorn.
“Why, I beat you all round the town, you chicken!” the Lion replied
angrily, half getting up as he spoke.
Here the King interrupted, to prevent the quarrel going on: he was very
nervous, and his voice quite quivered. “All round the town?” he said.
“That's a good long way. Did you go by the old bridge, or the
market-place? You get the best view by the old bridge.”
“I'm sure I don't know,” the Lion growled out as he lay down again.
“There was too much dust to see anything. What a time the Monster is,
cutting up that cake!”
Pov/S had seated pov/r on the bank of a little brook, with the great
dish on pov/p knees, and was sawing away diligently with the knife.
“It's very provoking!” pov/s said, in reply to the Lion (she was getting
quite used to being called “the Monster”). “I've cut several slices
already, but they always join on again!”
“You don't know how to manage Looking-glass cakes,” the Unicorn
remarked. “Hand it round first, and cut it afterwards.”
This sounded nonsense, but pov/S very obediently got up, and carried the
dish round, and the cake divided itself into three pieces as pov/s did
so. “#emph[Now] cut it up,” said the Lion, as pov/s returned to pov/p
place with the empty dish.
“I say, this isn't fair!” cried the Unicorn, as pov/S sat with the knife
in pov/p hand, very much puzzled how to begin. “The Monster has given
the Lion twice as much as me!”
“Prn/s'cut/off first 2/vrn/present/have\/\/ kept none for prn/r,
anyhow,” said the Lion. “Do you like plum-cake, Monster?”
But before pov/S could answer him, the drums began.
Where the noise came from, pov/s couldn't make out: the air seemed full
of it, and it rang through and through pov/p head till pov/s felt quite
deafened. Pov/s started to pov/p feet and sprang across the little brook
in pov/p terror,
#line(length: 100%)
and had just time to see the Lion and the Unicorn rise to their feet,
with angry looks at being interrupted in their feast, before pov/s
dropped to pov/p knees, and put pov/p hands over pov/p ears, vainly
trying to shut out the dreadful uproar.
“If #emph[that] doesn't drum them out of town,'” pov/s thought to
pov/r, “nothing ever will!”

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== Tweedledum And Tweedledee
They were standing under a tree, each with an arm round the other's
neck, and pov/S knew which was which in a moment, because one of them
had “DUM” embroidered on his collar, and the other “DEE.” “I suppose
they've each got TWEEDLE' round at the back of the collar,” pov/s said
to pov/r.
They stood so still that pov/s quite forgot they were alive, and pov/s
vrb/be/ just looking round to see if the word TWEEDLE' was written at
the back of each collar, when pov/s vrb/be/ startled by a voice coming
from the one marked “DUM.”
“If you think we're wax-works,” he said, “you ought to pay, you know.
Wax-works weren't made to be looked at for nothing, nohow!”
“Contrariwise,” added the one marked “DEE,” “if you think we're alive,
you ought to speak.”
“I'm sure I'm very sorry,” was all pov/S could say; for the words of the
old song kept ringing through pov/p head like the ticking of a clock,
and pov/s could hardly help saying them out loud:---
#include "poems/tweedledum-and-tweedledee.typ"
“I know what you're thinking about,” said Tweedledum: “but it isn't so,
nohow.”
“Contrariwise,” continued Tweedledee, “if it was so, it might be; and if
it were so, it would be; but as it isn't, it ain't. That's logic.”
“I was thinking,” pov/S said very politely, “which is the best way out
of this wood: it's getting so dark. Would you tell me, please?”
But the little men only looked at each other and grinned.
They looked so exactly like a couple of great schoolboys, that pov/S
couldn't help pointing pov/p finger at Tweedledum, and saying “First
Boy!”
“Nohow!” Tweedledum cried out briskly, and shut his mouth up again with
a snap.
“Next Boy!” alt/first and second or third/pov/S said/said pov/S/,
passing on to Tweedledee, though pov/s felt quite certain he would only
shout out “Contrariwise!” and so he did.
“You've been wrong!” cried Tweedledum. “The first thing in a visit is to
say How d'ye do?' and shake hands!” And here the two brothers gave each
other a hug, and then they held out the two hands that were free, to
shake hands with pov/o.
Pov/S did not like shaking hands with either of them first, for fear of
hurting the other one's feelings; so, as the best way out of the
difficulty, pov/s took hold of both hands at once: the next moment they
were dancing round in a ring. This seemed quite natural (pov/s
remembered afterwards), and pov/s vrb/be/ not even surprised to hear
music playing: it seemed to come from the tree under which plv/s were
dancing, and it was done (as well as pov/s could make it out) by the
branches rubbing one across the other, like fiddles and fiddle-sticks.
“But it certainly #emph[was] funny,” (pov/S said afterwards, when pov/s
vrb/be/ telling pov/p sister the history of all this,) “to find myself
singing #emph[Here we go round the mulberry bush];.' I don't know when
I began it, but somehow I felt as if I'd been singing it a long long
time!”
The other two dancers were fat, and very soon out of breath. “Four times
round is enough for one dance,” Tweedledum panted out, and they left off
dancing as suddenly as they had begun: the music stopped at the same
moment.
Then they let go of pov/P hands, and stood looking at pov/o for a
minute: there was a rather awkward pause, as pov/S didn't know how to
begin a conversation with people pov/s had just been dancing with. “It
would never do to say How d'ye do?' #emph[now];,” pov/s said to pov/r:
“we seem to have got beyond that, somehow!”
“I hope you're not much tired?” pov/s said at last.
“Nohow. And thank you #emph[very] much for asking,” said Tweedledum.
“So #emph[much] obliged!” added Tweedledee. “You like poetry?”
“Ye-es, pretty well---#emph[some] poetry,” pov/S said doubtfully. “Would
you tell me which road leads out of the wood?”
“What shall I repeat to prn/o?” said Tweedledee, looking round at
Tweedledum with great solemn eyes, and not noticing pov/P question.
“‘#emph[The Walrus and the Carpenter];' is the longest,” Tweedledum
replied, giving his brother an affectionate hug.
Tweedledee began instantly:
#quote(block: true)[
“The sun was shining---”
]
Here pov/S ventured to interrupt him. “If it's #emph[very] long,” pov/s
said, as politely as pov/s could, “would you please tell me first which
road---”
Tweedledee smiled gently, and began again:
#include "poems/the-walrus-and-the-carpenter.typ"
“I like the Walrus best,” alt/first and second or third/pov/S said/said
pov/S/: “because you see he was a #emph[little] sorry for the poor
oysters.”
“He ate more than the Carpenter, though,” said Tweedledee. “You see he
held his handkerchief in front, so that the Carpenter couldn't count how
many he took: contrariwise.”
“That was mean!” pov/S said indignantly. “Then I like the Carpenter
best---if he didn't eat so many as the Walrus.”
“But he ate as many as he could get,” said Tweedledum.
This was a puzzler. After a pause, pov/S began, “Well! They were
#emph[both] very unpleasant characters---” Here pov/s checked pov/r in
some alarm, at hearing something that sounded to pov/o like the puffing
of a large steam-engine in the wood near them, though pov/s feared it
was more likely to be a wild beast. “Are there any lions or tigers about
here?” pov/s asked timidly.
“It's only the Red King snoring,” said Tweedledee.
“Come and look at him!” the brothers cried, and they each took one of
pov/P hands, and led pov/o up to where the King was sleeping.
“Isn't he a #emph[lovely] sight?” said Tweedledum.
Pov/S couldn't say honestly that he was. He had a tall red night-cap on,
with a tassel, and he was lying crumpled up into a sort of untidy heap,
and snoring loud---“fit to snore his head off!” as Tweedledum remarked.
“I'm afraid he'll catch cold with lying on the damp grass,” alt/first
and second or third/pov/S said, being a very thoughtful little
prn/n/said pov/S, who was a very thoughtful little girl/.
“He's dreaming now,” said Tweedledee: “and what do you think he's
dreaming about?”
Pov/S said “Nobody can guess that.”
“Why, about #emph[you];!” Tweedledee exclaimed, clapping his hands
triumphantly. “And if he left off dreaming about you, where do you
suppose you'd be?”
“Where I am now, of course,” alt/first and second or third/pov/S
said/said pov/S/.
“Not you!” Tweedledee retorted contemptuously. “You'd be nowhere. Why,
you're only a sort of thing in his dream!”
“If that there King was to wake,” added Tweedledum, “you'd go
out---bang!---just like a candle!”
“I shouldn't!” pov/S exclaimed indignantly. “Besides, if #emph[I'm] only
a sort of thing in his dream, what are #emph[you];, I should like to
know?”
“Ditto” said Tweedledum.
“Ditto, ditto” cried Tweedledee.
He shouted this so loud that pov/S couldn't help saying, “Hush! You'll
be waking him, I'm afraid, if you make so much noise.”
“Well, it no use #emph[your] talking about waking him,” said Tweedledum,
“when you're only one of the things in his dream. You know very well
you're not real.”
“I #emph[am] real!” alt/first and second or third/pov/S said/said pov/S/
and began to cry.
“You won't make yourself a bit realler by crying,” Tweedledee remarked:
“there's nothing to cry about.”
“If I wasn't real,” pov/S said---half-laughing through pov/p tears, it
all seemed so ridiculous---“I shouldn't be able to cry.”
“I hope you don't suppose those are real tears?” Tweedledum interrupted
in a tone of great contempt.
“I know they're talking nonsense,” pov/S thought to pov/r: “and it's
foolish to cry about it.” So pov/s brushed away pov/p tears, and went on
as cheerfully as pov/s could. “At any rate I'd better be getting out of
the wood, for really it's coming on very dark. Do you think it's going
to rain?”
Tweedledum spread a large umbrella over himself and his brother, and
looked up into it. “No, I don't think it is,” he said: “at least---not
under #emph[here];. Nohow.”
“But it may rain #emph[outside];?”
“It may---if it chooses,” said Tweedledee: “we've no objection.
Contrariwise.”
“Selfish things!” alt/first and second or third/pov/S thought/thought
pov/S/, and pov/s vrb/be/ just going to say “Good-night” and leave them,
when Tweedledum sprang out from under the umbrella and seized pov/o by
the wrist.
“Do you see #emph[that];?” he said, in a voice choking with passion, and
his eyes grew large and yellow all in a moment, as he pointed with a
trembling finger at a small white thing lying under the tree.
“It's only a rattle,” pov/S said, after a careful examination of the
little white thing. “Not a rattle-#emph[snake];, you know,” pov/s added
hastily, thinking that he was frightened: “only an old rattle---quite
old and broken.”
“I knew it was!” cried Tweedledum, beginning to stamp about wildly and
tear his hair. “It's spoilt, of course!” Here he looked at Tweedledee,
who immediately sat down on the ground, and tried to hide himself under
the umbrella.
Pov/S laid pov/p hand upon his arm, and said in a soothing tone, “You
needn't be so angry about an old rattle.”
“But it isn't old!” Tweedledum cried, in a greater fury than ever. “It's
new, I tell you---I bought it yesterday---my nice new RATTLE!” and his
voice rose to a perfect scream.
All this time Tweedledee was trying his best to fold up the umbrella,
with himself in it: which was such an extraordinary thing to do, that it
quite took off pov/P attention from the angry brother. But he couldn't
quite succeed, and it ended in his rolling over, bundled up in the
umbrella, with only his head out: and there he lay, opening and shutting
his mouth and his large eyes---“looking more like a fish than anything
else,” pov/S thought.
“Of course you agree to have a battle?” Tweedledum said in a calmer
tone.
“I suppose so,” the other sulkily replied, as he crawled out of the
umbrella: “only #emph[prn/s] must help us to dress up, you know.”
So the two brothers went off hand-in-hand into the wood, and returned in
a minute with their arms full of things---such as bolsters, blankets,
hearth-rugs, table-cloths, dish-covers and coal-scuttles. “I hope you're
a good hand at pinning and tying strings?” Tweedledum remarked. “Every
one of these things has got to go on, somehow or other.”
Pov/S said afterwards pov/s had never seen such a fuss made about
anything in all pov/p life---the way those two bustled about---and the
quantity of things they put on---and the trouble they gave pov/o in
tying strings and fastening buttons---“Really they'll be more like
bundles of old clothes than anything else, by the time they're ready!”
pov/s said to pov/r, as pov/s arranged a bolster round the neck of
Tweedledee, “to keep his head from being cut off,” as he said.
“You know,” he added very gravely, “it's one of the most serious things
that can possibly happen to one in a battle---to get one's head cut
off.”
Pov/S laughed aloud: but pov/s managed to turn it into a cough, for fear
of hurting his feelings.
“Do I look very pale?” said Tweedledum, coming up to have his helmet
tied on. (He #emph[called] it a helmet, though it certainly looked much
more like a saucepan.)
“Well---yes---a #emph[little];,” pov/S replied gently.
“I'm very brave generally,” he went on in a low voice: “only to-day I
happen to have a headache.”
“And #emph[I've] got a toothache!” said Tweedledee, who had overheard
the remark. “I'm far worse off than you!”
“Then you'd better not fight to-day,” alt/first and second or
third/pov/S said/said pov/S/, thinking it a good opportunity to make
peace.
“We #emph[must] have a bit of a fight, but I don't care about going on
long,” said Tweedledum. “What's the time now?”
Tweedledee looked at his watch, and said “Half-past four.”
“Let's fight till six, and then have dinner,” said Tweedledum.
“Very well,” the other said, rather sadly: “and #emph[prn/s] can watch
us---only you'd better not come #emph[very] close,” he added: “I
generally hit everything I can see---when I get really excited.”
“And #emph[I] hit everything within reach,” cried Tweedledum, “whether I
can see it or not!”
Pov/S laughed. “You must hit the #emph[trees] pretty often, I should
think,” pov/s said.
Tweedledum looked round him with a satisfied smile. “I don't suppose,”
he said, “there'll be a tree left standing, for ever so far round, by
the time we've finished!”
“And all about a rattle!” alt/first and second or third/pov/S said/said
pov/S/, still hoping to make them a #emph[little] ashamed of fighting
for such a trifle.
“I shouldn't have minded it so much,” said Tweedledum, “if it hadn't
been a new one.”
“I wish the monstrous crow would come!” alt/first and second or
third/pov/S thought/thought pov/S/.
“There's only one sword, you know,” Tweedledum said to his brother: “but
you can have the umbrella---it's quite as sharp. Only we must begin
quick. It's getting as dark as it can.”
“And darker,” said Tweedledee.
It was getting dark so suddenly that pov/S thought there must be a
thunderstorm coming on. “What a thick black cloud that is!” pov/s said.
“And how fast it comes! Why, I do believe it's got wings!”
“It's the crow!” Tweedledum cried out in a shrill voice of alarm: and
the two brothers took to their heels and were out of sight in a moment.
Pov/S ran a little way into the wood, and stopped under a large tree.
“It can never get at me #emph[here];,” pov/s thought: “it's far too
large to squeeze itself in among the trees. But I wish it wouldn't flap
its wings so---it makes quite a hurricane in the wood---here's
somebody's shawl being blown away!”

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== Waking
---and it really #emph[was] a kitten, after all.

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== Which Dreamed it?
“Your majesty shouldn't purr so loud,” pov/S said, rubbing her eyes, and
addressing the kitten, respectfully, yet with some severity. “You woke
me out of oh! such a nice dream! And you've been along with me,
Kitty---all through the Looking-Glass world. Did you know it, dear?”
It is a very inconvenient habit of kittens (pov/S had once made the
remark) that, whatever you say to them, they #emph[always] purr. “If
they would only purr for yes' and mew for no,' or any rule of that
sort,” pov/s had said, “so that one could keep up a conversation! But
how #emph[can] you talk with a person if they always say the same
thing?”
On this occasion the kitten only purred: and it was impossible to guess
whether it meant “yes” or “no.”
So pov/S hunted among the chessmen on the table till pov/s had found the
Red Queen: then pov/s went down on pov/p knees on the hearth-rug, and
put the kitten and the Queen to look at each other. “Now, Kitty!” pov/s
cried, clapping pov/p hands triumphantly. “Confess that was what you
turned into!”
(“But it wouldn't look at it,” pov/s said, when pov/s vrb/be/ explaining
the thing afterwards to pov/p sister: “it turned away its head, and
pretended not to see it: but it looked a #emph[little] ashamed of
itself, so I think it #emph[must] have been the Red Queen.”)
“Sit up a little more stiffly, dear!” pov/S cried with a merry laugh.
“And curtsey while you're thinking what to---what to purr. It saves
time, remember!” And pov/s caught it up and gave it one little kiss,
“just in honour of having been a Red Queen.”
“Snowdrop, my pet!” pov/s went on, looking over pov/p shoulder at the
White Kitten, which was still patiently undergoing its toilet, “when
#emph[will] Dinah have finished with your White Majesty, I wonder? That
must be the reason you were so untidy in my dream---Dinah! do you know
that you're scrubbing a White Queen? Really, it's most disrespectful of
you!
“And what did #emph[Dinah] turn to, I wonder?” pov/s prattled on, as
pov/s settled comfortably down, with one elbow in the rug, and pov/p
chin in her hand, to watch the kittens. “Tell me, Dinah, did you turn to
Humpty Dumpty? I #emph[think] you did---however, you'd better not
mention it to your friends just yet, for I'm not sure.
“By the way, Kitty, if only you'd been really with me in my dream, there
was one thing you #emph[would] have enjoyed---I had such a quantity of
poetry said to me, all about fishes! To-morrow morning you shall have a
real treat. All the time you're eating your breakfast, I'll repeat The
Walrus and the Carpenter' to you; and then you can make believe it's
oysters, dear!
“Now, Kitty, let's consider who it was that dreamed it all. This is a
serious question, my dear, and you should #emph[not] go on licking your
paw like that---as if Dinah hadn't washed you this morning! You see,
Kitty, it #emph[must] have been either me or the Red King. He was part
of my dream, of course---but then I was part of his dream, too!
#emph[Was] it the Red King, Kitty? You were his wife, my dear, so you
ought to know---Oh, Kitty, #emph[do] help to settle it! I'm sure your
paw can wait!” But the provoking kitten only began on the other paw, and
pretended it hadn't heard the question.
Which do #emph[you] think it was?
#line(length: 100%)
#include "poems/a-boat-beneath-a-sunny-sky.typ"

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== Wool and Water
Pov/s caught the shawl as pov/s spoke, and looked about for the owner:
in another moment the White Queen came running wildly through the wood,
with both arms stretched out wide, as if she were flying, and pov/S very
civilly went to meet her with the shawl.
“I'm very glad I happened to be in the way,” pov/S said, as pov/s helped
her to put on her shawl again.
The White Queen only looked at pov/o in a helpless frightened sort of
way, and kept repeating something in a whisper to herself that sounded
like “bread-and-butter, bread-and-butter,” and pov/S felt that if there
was to be any conversation at all, pov/s must manage it pov/r. So pov/s
began rather timidly: “Am I addressing the White Queen?”
“Well, yes, if you call that a-dressing,” The Queen said. “It isn't
#emph[my] notion of the thing, at all.”
Pov/S thought it would never do to have an argument at the very
beginning of their conversation, so pov/s smiled and said, “If your
Majesty will only tell me the right way to begin, I'll do it as well as
I can.”
“But I don't want it done at all!” groaned the poor Queen. “I've been
a-dressing myself for the last two hours.”
It would have been all the better, as it seemed to pov/O, if pov/s had
got some one else to dress her, she was so dreadfully untidy. “Every
single thing's crooked,” pov/S thought to pov/r, “and she's all over
pins!---may I put your shawl straight for you?” pov/s added aloud.
“I don't know what's the matter with it!” the Queen said, in a
melancholy voice. “It's out of temper, I think. I've pinned it here, and
I've pinned it there, but there's no pleasing it!”
“It #emph[can't] go straight, you know, if you pin it all on one side,”
pov/S said, as pov/s gently put it right for her; “and, dear me, what a
state your hair is in!”
“The brush has got entangled in it!” the Queen said with a sigh. “And I
lost the comb yesterday.”
Pov/S carefully released the brush, and did pov/p best to get the hair
into order. “Come, you look rather better now!” pov/s said, after
altering most of the pins. “But really you should have a lady's maid!”
“I'm sure I'll take you with pleasure!” the Queen said. “Twopence a
week, and jam every other day.”
Pov/S couldn't help laughing, as pov/s said, “I don't want you to hire
#emph[me];---and I don't care for jam.”
“It's very good jam,” said the Queen.
“Well, I don't want any #emph[to-day];, at any rate.”
“You couldn't have it if you #emph[did] want it,” the Queen said. “The
rule is, jam to-morrow and jam yesterday---but never jam to-day.”
“It #emph[must] come sometimes to jam to-day,'” pov/S objected.
“No, it can't,” said the Queen. “It's jam every #emph[other] day: to-day
isn't any #emph[other] day, you know.”
“I don't understand you,” alt/first and second or third/pov/S said/said
pov/S/. “It's dreadfully confusing!”
“That's the effect of living backwards,” the Queen said kindly: “it
always makes one a little giddy at first---”
“Living backwards!” pov/S repeated in great astonishment. “I never heard
of such a thing!”
“---but there's one great advantage in it, that one's memory works both
ways.”
“I'm sure #emph[mine] only works one way,” pov/S remarked. “I can't
remember things before they happen.”
“It's a poor sort of memory that only works backwards,” the Queen
remarked.
“What sort of things do #emph[you] remember best?” pov/S ventured to
ask.
“Oh, things that happened the week after next,” the Queen replied in a
careless tone. “For instance, now,” she went on, sticking a large piece
of plaster on her finger as she spoke, “there's the King's Messenger.
He's in prison now, being punished: and the trial doesn't even begin
till next Wednesday: and of course the crime comes last of all.”
“Suppose he never commits the crime?” alt/first and second or
third/pov/S said/said pov/S/.
“That would be all the better, wouldn't it?” the Queen said, as she
bound the plaster round her finger with a bit of ribbon.
Pov/S felt there was no denying #emph[that];. “Of course it would be all
the better,” pov/s said: “but it wouldn't be all the better his being
punished.”
“You're wrong #emph[there];, at any rate,” said the Queen: “were
#emph[you] ever punished?”
“Only for faults,” alt/first and second or third/pov/S said/said pov/S/.
“And you were all the better for it, I know!” the Queen said
triumphantly.
“Yes, but then I #emph[had] done the things I was punished for,”
alt/first and second or third/pov/S said/said pov/S/: “that makes all
the difference.”
“But if you #emph[hadn't] done them,” the Queen said, “that would have
been better still; better, and better, and better!” Her voice went
higher with each “better,” till it got quite to a squeak at last.
Pov/S vrB/be/ just beginning to say “There's a mistake somewhere---,”
when the Queen began screaming so loud that pov/s had to leave the
sentence unfinished. “Oh, oh, oh!” shouted the Queen, shaking her hand
about as if she wanted to shake it off. “My finger's bleeding! Oh, oh,
oh, oh!”
Her screams were so exactly like the whistle of a steam-engine, that
pov/S had to hold both pov/p hands over pov/p ears.
“What #emph[is] the matter?” pov/s said, as soon as there was a chance
of making pov/r heard. “Have you pricked your finger?”
“I haven't pricked it #emph[yet];,” the Queen said, “but I soon
shall---oh, oh, oh!”
“When do you expect to do it?” pov/S asked, feeling very much inclined
to laugh.
“When I fasten my shawl again,” the poor Queen groaned out: “the brooch
will come undone directly. Oh, oh!” As she said the words the brooch
flew open, and the Queen clutched wildly at it, and tried to clasp it
again.
“Take care!” alt/first and second or third/pov/S cried/cried pov/S/.
“You're holding it all crooked!” And pov/s caught at the brooch; but it
was too late: the pin had slipped, and the Queen had pricked her finger.
“That accounts for the bleeding, you see,” she said to pov/O with a
smile. “Now you understand the way things happen here.”
“But why don't you scream now?” pov/S asked, holding pov/p hands ready
to put over pov/p ears again.
“Why, I've done all the screaming already,” said the Queen. “What would
be the good of having it all over again?”
By this time it was getting light. “The crow must have flown away, I
think,” alt/first and second or third/pov/S said/said pov/S/: “I'm so
glad it's gone. I thought it was the night coming on.”
“I wish #emph[I] could manage to be glad!” the Queen said. “Only I never
can remember the rule. You must be very happy, living in this wood, and
being glad whenever you like!”
“Only it is so #emph[very] lonely here!” pov/S said in a melancholy
voice; and at the thought of pov/p loneliness two large tears came
rolling down pov/p cheeks.
“Oh, don't go on like that!” cried the poor Queen, wringing her hands in
despair. “Consider what a great prn/n you are. Consider what a long way
you've come to-day. Consider what o'clock it is. Consider anything, only
don't cry!”
Pov/S could not help laughing at this, even in the midst of pov/p tears.
“Can #emph[you] keep from crying by considering things?” pov/s asked.
“That's the way it's done,” the Queen said with great decision: “nobody
can do two things at once, you know. Let's consider your age to begin
with---how old are you?”
“I'm seven and a half exactly.”
“You needn't say exactually,'” the Queen remarked: “I can believe it
without that. Now I'll give #emph[you] something to believe. I'm just
one hundred and one, five months and a day.”
“I can't believe #emph[that];!” alt/first and second or third/pov/S
said/said pov/S/.
“Can't you?” the Queen said in a pitying tone. “Try again: draw a long
breath, and shut your eyes.”
Pov/S laughed. “There's no use trying,” pov/s said: “one #emph[can't]
believe impossible things.”
“I daresay you haven't had much practice,” said the Queen. “When I was
your age, I always did it for half-an-hour a day. Why, sometimes I've
believed as many as six impossible things before breakfast. There goes
the shawl again!”
The brooch had come undone as she spoke, and a sudden gust of wind blew
the Queen's shawl across a little brook. The Queen spread out her arms
again, and went flying after it, and this time she succeeded in catching
it for herself. “I've got it!” she cried in a triumphant tone. “Now you
shall see me pin it on again, all by myself!”
“Then I hope your finger is better now?” pov/S said very politely, as
pov/s crossed the little brook after the Queen.
#line(length: 100%)
“Oh, much better!” cried the Queen, her voice rising to a squeak as she
went on. “Much be-etter! Be-etter! Be-e-e-etter! Be-e-ehh!” The last
word ended in a long bleat, so like a sheep that pov/S quite started.
Pov/s looked at the Queen, who seemed to have suddenly wrapped herself
up in wool. Pov/S rubbed pov/p eyes, and looked again. Pov/s couldn't
make out what had happened at all. Was pov/s in a shop? And was that
really---was it really a #emph[sheep] that was sitting on the other side
of the counter? Rub as pov/s could, pov/s could make nothing more of it:
pov/s was in a little dark shop, leaning with pov/p elbows on the
counter, and opposite to pov/o was an old Sheep, sitting in an arm-chair
knitting, and every now and then leaving off to look at pov/o through a
great pair of spectacles.
“What is it you want to buy?” the Sheep said at last, looking up for a
moment from her knitting.
“I don't #emph[quite] know yet,” pov/S said, very gently. “I should like
to look all round me first, if I might.”
“You may look in front of you, and on both sides, if you like,” said the
Sheep: “but you can't look #emph[all] round you---unless you've got eyes
at the back of your head.”
But these, as it happened, pov/S had #emph[not] got: so pov/s contented
pov/r with turning round, looking at the shelves as pov/s came to them.
The shop seemed to be full of all manner of curious things---but the
oddest part of it all was, that whenever pov/s looked hard at any shelf,
to make out exactly what it had on it, that particular shelf was always
quite empty: though the others round it were crowded as full as they
could hold.
“Things flow about so here!” pov/s said at last in a plaintive tone,
after pov/s had spent a minute or so in vainly pursuing a large bright
thing, that looked sometimes like a doll and sometimes like a work-box,
and was always in the shelf next above the one pov/s vrb/be/ looking at.
“And this one is the most provoking of all---but I'll tell you what---”
pov/s added, as a sudden thought struck pov/o, “I'll follow it up to the
very top shelf of all. It'll puzzle it to go through the ceiling, I
expect!”
But even this plan failed: the “thing” went through the ceiling as
quietly as possible, as if it were quite used to it.
“Are you a child or a teetotum?” the Sheep said, as she took up another
pair of needles. “You'll make me giddy soon, if you go on turning round
like that.” She was now working with fourteen pairs at once, and pov/S
couldn't help looking at her in great astonishment.
“How #emph[can] she knit with so many?” alt/first and second or
third/pov/S thought to pov/r, puzzled/the puzzled child thought to
pov/r/. “She gets more and more like a porcupine every minute!”
“Can you row?” the Sheep asked, handing pov/o a pair of knitting-needles
as she spoke.
“Yes, a little---but not on land---and not with needles---” pov/S
vrB/be/ beginning to say, when suddenly the needles turned into oars in
pov/p hands, and pov/s found they were in a little boat, gliding along
between banks: so there was nothing for it but to do pov/p best.
“Feather!” cried the Sheep, as she took up another pair of needles.
This didn't sound like a remark that needed any answer, so pov/S said
nothing, but pulled away. There was something very queer about the
water, pov/s thought, as every now and then the oars got fast in it, and
would hardly come out again.
“Feather! Feather!” the Sheep cried again, taking more needles. “You'll
be catching a crab directly.”
“A dear little crab!” alt/first and second or third/pov/S
thought/thought pov/S/. “I should like that.”
“Didn't you hear me say Feather'?” the Sheep cried angrily, taking up
quite a bunch of needles.
“Indeed I did,” alt/first and second or third/pov/S said/said pov/S/:
“you've said it very often---and very loud. Please, where #emph[are] the
crabs?”
“In the water, of course!” said the Sheep, sticking some of the needles
into her hair, as her hands were full. “Feather, I say!”
“#emph[Why] do you say feather' so often?” pov/S asked at last, rather
vexed. “I'm not a bird!”
“You are,” said the Sheep: “you're a little goose.”
This offended pov/S a little, so there was no more conversation for a
minute or two, while the boat glided gently on, sometimes among beds of
weeds (which made the oars stick fast in the water, worse then ever),
and sometimes under trees, but always with the same tall river-banks
frowning over their heads.
“Oh, please! There are some scented rushes!” pov/S cried in a sudden
transport of delight. “There really are---and #emph[such] beauties!”
“You needn't say please' to #emph[me] about 'em,” the Sheep said,
without looking up from her knitting: “I didn't put 'em there, and I'm
not going to take 'em away.”
“No, but I meant---please, may we wait and pick some?” pov/S pleaded.
“If you don't mind stopping the boat for a minute.”
“How am #emph[I] to stop it?” said the Sheep. “If you leave off rowing,
it'll stop of itself.”
So the boat was left to drift down the stream as it would, till it
glided gently in among the waving rushes. And then the little sleeves
were carefully rolled up, and the little arms were plunged in elbow-deep
to get the rushes a good long way down before breaking them off---and
for a while pov/S forgot all about the Sheep and the knitting, as pov/s
bent over the side of the boat, with just the ends of pov/p tangled hair
dipping into the water---while with bright eager eyes pov/s caught at
one bunch after another of the darling scented rushes.
“I only hope the boat won't tipple over!” pov/s said to pov/r. “Oh,
#emph[what] a lovely one! Only I couldn't quite reach it.” And it
certainly #emph[did] seem a little provoking (“almost as if it happened
on purpose,” pov/s thought) that, though pov/s managed to pick plenty of
beautiful rushes as the boat glided by, there was always a more lovely
one that pov/s couldn't reach.
“The prettiest are always further!” pov/s said at last, with a sigh at
the obstinacy of the rushes in growing so far off, as, with flushed
cheeks and dripping hair and hands, pov/s scrambled back into pov/p
place, and began to arrange pov/p new-found treasures.
What mattered it to pov/o just then that the rushes had begun to fade,
and to lose all their scent and beauty, from the very moment that pov/s
picked them? Even real scented rushes, you know, last only a very little
while---and these, being dream-rushes, melted away almost like snow, as
they lay in heaps at her feet---but pov/S hardly noticed this, there
were so many other curious things to think about.
They hadn't gone much farther before the blade of one of the oars got
fast in the water and #emph[wouldn't] come out again (so pov/S explained
it afterwards), and the consequence was that the handle of it caught
pov/o under the chin, and, in spite of a series of little shrieks of
“Oh, oh, oh!” from alt/first and second or third/pov/S/poor pov/S/, it
swept pov/o straight off the seat, and down among the heap of rushes.
However, pov/s vrb/be/n't hurt, and was soon up again: the Sheep went on
with her knitting all the while, just as if nothing had happened. “That
was a nice crab you caught!” she remarked, as pov/S got back into pov/p
place, very much relieved to find pov/r still in the boat.
“Was it? I didn't see it,” alt/first and second or third/pov/S said/said
pov/S/, peeping cautiously over the side of the boat into the dark
water. “I wish it hadn't let go---I should so like to see a little crab
to take home with me!” But the Sheep only laughed scornfully, and went
on with her knitting.
“Are there many crabs here?” alt/first and second or third/pov/S
said/said pov/S/.
“Crabs, and all sorts of things,” said the Sheep: “plenty of choice,
only make up your mind. Now, what #emph[do] you want to buy?”
“To buy!” pov/S echoed in a tone that was half astonished and half
frightened---for the oars, and the boat, and the river, had vanished all
in a moment, and pov/s vrb/be/ back again in the little dark shop.
“I should like to buy an egg, please,” pov/s said timidly. “How do you
sell them?”
“Fivepence farthing for one---Twopence for two,” the Sheep replied.
“Then two are cheaper than one?” pov/S said in a surprised tone, taking
out pov/p purse.
“Only you #emph[must] eat them both, if you buy two,” said the Sheep.
“Then I'll have #emph[one];, please,” alt/first and second or
third/pov/S said/said pov/S/, as pov/s put the money down on the
counter. For pov/s thought to pov/r, “They mightn't be at all nice, you
know.”
The Sheep took the money, and put it away in a box: then she said “I
never put things into people's hands---that would never do---you must
get it for yourself.” And so saying, she went off to the other end of
the shop, and set the egg upright on a shelf.
“I wonder #emph[why] it wouldn't do?” alt/first and second or
third/pov/S thought/thought pov/S/, as pov/s groped pov/p way among the
tables and chairs, for the shop was very dark towards the end. “The egg
seems to get further away the more I walk towards it. Let me see, is
this a chair? Why, it's got branches, I declare! How very odd to find
trees growing here! And actually here's a little brook! Well, this is
the very queerest shop I ever saw!”
#line(length: 100%)
So pov/s went on, wondering more and more at every step, as everything
turned into a tree the moment pov/s came up to it, and pov/s quite
expected the egg to do the same.

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@ -1,12 +0,0 @@
- format the poems
- back cover styling
- add fun pages for each book title
- add in italics and symbols
- pretty up spiral implementations
- draw intermission pictures
- "drink me" bottle
- "eat me" cake
- caterpilar's mushorrom
- page number separators (right/left)
- waking up
- generate the cover