412 lines
17 KiB
XML
412 lines
17 KiB
XML
== Humpty Dumpty
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However, the egg only got larger and larger, and more and more human:
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when pov/s had come within a few yards of it, pov/s saw that it had eyes
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and a nose and mouth; and when pov/s had come close to it, pov/s saw
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clearly that it was HUMPTY DUMPTY himself. “It can't be anybody else!”
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pov/s said to pov/r. “I'm as certain of it, as if his name were written
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all over his face.”
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It might have been written a hundred times, easily, on that enormous
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face. Humpty Dumpty was sitting with his legs crossed, like a Turk, on
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the top of a high wall---such a narrow one that pov/S quite wondered how
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he could keep his balance---and, as his eyes were steadily fixed in the
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opposite direction, and he didn't take the least notice of pov/o, pov/s
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thought he must be a stuffed figure after all.
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“And how exactly like an egg he is!” pov/s said aloud, standing with
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pov/p hands ready to catch him, for pov/s vrb/be/ every moment expecting
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him to fall.
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“It's #emph[very] provoking,” Humpty Dumpty said after a long silence,
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looking away from pov/O as he spoke, “to be called an
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egg---#emph[Very!];”
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“I said you #emph[looked] like an egg, Sir,” pov/S gently explained.
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“And some eggs are very pretty, you know” pov/s added, hoping to turn
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her remark into a sort of a compliment.
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“Some people,” said Humpty Dumpty, looking away from pov/o as usual,
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“have no more sense than a baby!”
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Pov/S didn't know what to say to this: it wasn't at all like
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conversation, pov/s thought, as he never said anything to #emph[pov/o];;
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in fact, his last remark was evidently addressed to a tree---so pov/s
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stood and softly repeated to pov/r:---
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#include "poems/humpty-dumpty.typ"
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“That last line is much too long for the poetry,” pov/s added, almost
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out loud, forgetting that Humpty Dumpty would hear pov/o.
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“Don't stand there chattering to yourself like that,” Humpty Dumpty
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said, looking at pov/o for the first time, “but tell me your name and
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your business.”
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“My #emph[name] is Y/n, but---”
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“It's a stupid enough name!” Humpty Dumpty interrupted impatiently.
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“What does it mean?”
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“#emph[Must] a name mean something?” pov/S asked doubtfully.
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“Of course it must,” Humpty Dumpty said with a short laugh: “#emph[my]
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name means the shape I am---and a good handsome shape it is, too. With a
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name like yours, you might be any shape, almost.”
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“Why do you sit out here all alone?” alt/first and second or third/pov/S
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said/said pov/S/, not wishing to begin an argument.
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“Why, because there's nobody with me!” cried Humpty Dumpty. “Did you
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think I didn't know the answer to #emph[that];? Ask another.”
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“Don't you think you'd be safer down on the ground?” pov/S went on, not
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with any idea of making another riddle, but simply in pov/p good-natured
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anxiety for the queer creature. “That wall is so #emph[very] narrow!”
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“What tremendously easy riddles you ask!” Humpty Dumpty growled out. “Of
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course I don't think so! Why, if ever I #emph[did] fall off---which
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there's no chance of---but #emph[if] I did---” Here he pursed his lips
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and looked so solemn and grand that pov/S could hardly help laughing.
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“#emph[If] I did fall,” he went on, “#emph[The King has promised
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me---with his very own mouth];---to---to---”
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“To send all his horses and all his men,” pov/S interrupted, rather
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unwisely.
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“Now I declare that's too bad!” Humpty Dumpty cried, breaking into a
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sudden passion. “You've been listening at doors---and behind trees---and
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down chimneys---or you couldn't have known it!”
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“I haven't, indeed!” pov/S said very gently. “It's in a book.”
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“Ah, well! They may write such things in a #emph[book];,” Humpty Dumpty
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said in a calmer tone. “That's what you call a History of England, that
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is. Now, take a good look at me! I'm one that has spoken to a King,
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#emph[I] am: mayhap you'll never see such another: and to show you I'm
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not proud, you may shake hands with me!” And he grinned almost from ear
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to ear, as he leant forwards (and as nearly as possible fell off the
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wall in doing so) and offered pov/O his hand. Pov/s watched him a little
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anxiously as pov/s took it. “If he smiled much more, the ends of his
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mouth might meet behind,” pov/s thought: “and then I don't know what
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would happen to his head! I'm afraid it would come off!”
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“Yes, all his horses and all his men,” Humpty Dumpty went on. “They'd
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pick me up again in a minute, #emph[they] would! However, this
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conversation is going on a little too fast: let's go back to the last
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remark but one.”
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“I'm afraid I can't quite remember it,” pov/S said very politely.
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“In that case we start fresh,” said Humpty Dumpty, “and it's my turn to
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choose a subject---” (“He talks about it just as if it was a game!”
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alt/first and second or third/pov/S thought/thought pov/S/.) “So here's
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a question for you. How old did you say you were?”
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Pov/S made a short calculation, and said “Seven years and six months.”
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“Wrong!” Humpty Dumpty exclaimed triumphantly. “You never said a word
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like it!”
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“I though you meant ‘How old #emph[are] you?'” pov/S explained.
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“If I'd meant that, I'd have said it,” said Humpty Dumpty.
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Pov/S didn't want to begin another argument, so pov/s said nothing.
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“Seven years and six months!” Humpty Dumpty repeated thoughtfully. “An
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uncomfortable sort of age. Now if you'd asked #emph[my] advice, I'd have
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said ‘Leave off at seven'---but it's too late now.”
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“I never ask advice about growing,” pov/S said indignantly.
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“Too proud?” the other inquired.
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Pov/S felt even more indignant at this suggestion. “I mean,” pov/s said,
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“that one can't help growing older.”
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“#emph[One] can't, perhaps,” said Humpty Dumpty, “but #emph[two] can.
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With proper assistance, you might have left off at seven.”
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“What a beautiful belt you've got on!” pov/S suddenly remarked.
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(They had had quite enough of the subject of age, pov/s thought: and if
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they really were to take turns in choosing subjects, it was pov/p turn
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now.) “At least,” she corrected pov/r on second thoughts, “a beautiful
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cravat, I should have said---no, a belt, I mean---I beg your pardon!”
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pov/s added in dismay, for Humpty Dumpty looked thoroughly offended, and
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pov/s began to wish pov/s hadn't chosen that subject. “If I only knew,”
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pov/s thought to pov/r, “which was neck and which was waist!”
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Evidently Humpty Dumpty was very angry, though he said nothing for a
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minute or two. When he #emph[did] speak again, it was in a deep growl.
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“It is a---#emph[most---provoking];---thing,” he said at last, “when a
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person doesn't know a cravat from a belt!”
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“I know it's very ignorant of me,” pov/S said, in so humble a tone that
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Humpty Dumpty relented.
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“It's a cravat, child, and a beautiful one, as you say. It's a present
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from the White King and Queen. There now!”
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“Is it really?” alt/first and second or third/pov/S said/said pov/S/,
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quite pleased to find that pov/s #emph[had] chosen a good subject, after
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all.
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“They gave it me,” Humpty Dumpty continued thoughtfully, as he crossed
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one knee over the other and clasped his hands round it, “they gave it
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me---for an un-birthday present.”
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“I beg your pardon?” pov/S said with a puzzled air.
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“I'm not offended,” said Humpty Dumpty.
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“I mean, what #emph[is] an un-birthday present?”
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“A present given when it isn't your birthday, of course.”
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Pov/S considered a little. “I like birthday presents best,” pov/s said
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at last.
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“You don't know what you're talking about!” cried Humpty Dumpty. “How
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many days are there in a year?”
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“Three hundred and sixty-five,” said pov/S.
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“And how many birthdays have you?”
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“One.”
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“And if you take one from three hundred and sixty-five, what remains?”
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“Three hundred and sixty-four, of course.”
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Humpty Dumpty looked doubtful. “I'd rather see that done on paper,” he
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said.
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Pov/S couldn't help smiling as pov/s took out pov/p memorandum-book, and
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worked the sum for him:
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#include "poems/365-minus-1.typ"
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Humpty Dumpty took the book, and looked at it carefully. “That seems to
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be done right---” he began.
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“You're holding it upside down!” pov/S interrupted.
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“To be sure I was!” Humpty Dumpty said gaily, as pov/s turned it round
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for him. “I thought it looked a little queer. As I was saying, that
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#emph[seems] to be done right---though I haven't time to look it over
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thoroughly just now---and that shows that there are three hundred and
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sixty-four days when you might get un-birthday presents---”
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“Certainly,” alt/first and second or third/pov/S said/said pov/S/.
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“And only #emph[one] for birthday presents, you know. There's glory for
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you!”
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“I don't know what you mean by ‘glory,'” pov/S said.
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Humpty Dumpty smiled contemptuously. “Of course you don't---till I tell
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you. I meant ‘there's a nice knock-down argument for you!'”
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“But ‘glory' doesn't mean ‘a nice knock-down argument,'” pov/S objected.
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“When #emph[I] use a word,” Humpty Dumpty said in rather a scornful
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tone, “it means just what I choose it to mean---neither more nor less.”
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“The question is,” alt/first and second or third/pov/S said/said pov/S/,
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“whether you #emph[can] make words mean so many different things.”
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“The question is,” said Humpty Dumpty, “which is to be master---that's
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all.”
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Pov/S was too much puzzled to say anything, so after a minute Humpty
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Dumpty began again. “They've a temper, some of them---particularly
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verbs, they're the proudest---adjectives you can do anything with, but
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not verbs---however, #emph[I] can manage the whole lot of them!
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Impenetrability! That's what #emph[I] say!”
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“Would you tell me, please,” alt/first and second or third/pov/S
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said/said pov/S/ “what that means?”
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“Now you talk like a reasonable child,” said Humpty Dumpty, looking very
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much pleased. “I meant by ‘impenetrability' that we've had enough of
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that subject, and it would be just as well if you'd mention what you
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mean to do next, as I suppose you don't mean to stop here all the rest
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of your life.”
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“That's a great deal to make one word mean,” pov/S said in a thoughtful
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tone.
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“When I make a word do a lot of work like that,” said Humpty Dumpty, “I
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always pay it extra.”
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“Oh!” alt/first and second or third/pov/S said/said pov/S/. Pov/s
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vrb/be/ too much puzzled to make any other remark.
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“Ah, you should see 'em come round me of a Saturday night,” Humpty
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Dumpty went on, wagging his head gravely from side to side: “for to get
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their wages, you know.”
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(Pov/S didn't venture to ask what he paid them with; and so you see I
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can't tell #emph[you];.)
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“You seem very clever at explaining words, Sir,” alt/first and second or
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third/pov/S said/said pov/S/. “Would you kindly tell me the meaning of
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the poem called ‘Jabberwocky'?”
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“Let's hear it,” said Humpty Dumpty. “I can explain all the poems that
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were ever invented---and a good many that haven't been invented just
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yet.”
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This sounded very hopeful, so pov/S repeated the first verse:
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#include "poems/jabberwocky-explained.typ"
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“That's enough to begin with,” Humpty Dumpty interrupted: “there are
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plenty of hard words there. ‘#emph[Brillig];' means four o'clock in the
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afternoon---the time when you begin #emph[broiling] things for dinner.”
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“That'll do very well,” alt/first and second or third/pov/S said/said
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pov/S/: “and ‘#emph[slithy];'?”
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“Well, ‘#emph[slithy];' means ‘lithe and slimy.' ‘Lithe' is the same as
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‘active.' You see it's like a portmanteau---there are two meanings
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packed up into one word.”
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“I see it now,” pov/S remarked thoughtfully: “and what are
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‘#emph[toves];'?”
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“Well, ‘#emph[toves];' are something like badgers---they're something
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like lizards---and they're something like corkscrews.”
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“They must be very curious looking creatures.”
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“They are that,” said Humpty Dumpty: “also they make their nests under
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sun-dials---also they live on cheese.”
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“And what's the ‘#emph[gyre];' and to ‘#emph[gimble];'?”
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“To ‘#emph[gyre];' is to go round and round like a gyroscope. To
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‘#emph[gimble];' is to make holes like a gimlet.”
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“And ‘#emph[the wabe];' is the grass-plot round a sun-dial, I suppose?”
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alt/first and second or third/pov/S said/said pov/S/, surprised at pov/p
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own ingenuity.
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“Of course it is. It's called ‘#emph[wabe];,' you know, because it goes
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a long way before it, and a long way behind it---”
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“And a long way beyond it on each side,” pov/S added.
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“Exactly so. Well, then, ‘#emph[mimsy];' is ‘flimsy and miserable'
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(there's another portmanteau for you). And a ‘#emph[borogove];' is a
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thin shabby-looking bird with its feathers sticking out all
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round---something like a live mop.”
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“And then ‘#emph[mome raths];'?” alt/first and second or third/pov/S
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said/said pov/S/. “I'm afraid I'm giving you a great deal of trouble.”
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“Well, a ‘#emph[rath];' is a sort of green pig: but ‘#emph[mome];' I'm
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not certain about. I think it's short for ‘from home'---meaning that
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they'd lost their way, you know.”
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“And what does ‘#emph[outgrabe];' mean?”
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“Well, ‘#emph[outgrabing];' is something between bellowing and
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whistling, with a kind of sneeze in the middle: however, you'll hear it
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done, maybe---down in the wood yonder---and when you've once heard it
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you'll be #emph[quite] content. Who's been repeating all that hard stuff
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to you?”
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“I read it in a book,” alt/first and second or third/pov/S said/said
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pov/S/. “But I had some poetry repeated to me, much easier than that,
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by---Tweedledee, I think it was.”
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“As to poetry, you know,” said Humpty Dumpty, stretching out one of his
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great hands, “#emph[I] can repeat poetry as well as other folk, if it
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comes to that---”
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“Oh, it needn't come to that!” pov/S hastily said, hoping to keep him
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from beginning.
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“The piece I'm going to repeat,” he went on without noticing her remark,
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“was written entirely for your amusement.”
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Pov/S felt that in that case pov/s really #emph[ought] to listen to it,
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so pov/s sat down, and said “Thank you” rather sadly.
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#include "poems/for-your-amusement-part-1.typ"
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only I don't sing it,” he added, as an explanation.
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“I see you don't,” alt/first and second or third/pov/S said/said pov/S/.
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“If you can #emph[see] whether I'm singing or not, you've sharper eyes
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than most.” Humpty Dumpty remarked severely. pov/S vrB/be/ silent.
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#include "poems/for-your-amusement-part-2.typ"
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“Thank you very much,” alt/first and second or third/pov/S said/said
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pov/S/.
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#include "poems/for-your-amusement-part-3.typ"
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“I will, if I can remember it so long,” alt/first and second or
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third/pov/S said/said pov/S/.
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“You needn't go on making remarks like that,” Humpty Dumpty said:
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“they're not sensible, and they put me out.”
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#include "poems/for-your-amusement-part-4.typ"
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“I'm afraid I don't quite understand,” alt/first and second or
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third/pov/S said/said pov/S/.
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“It gets easier further on,” Humpty Dumpty replied.
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#include "poems/for-your-amusement-part-5.typ"
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Humpty Dumpty raised his voice almost to a scream as he repeated this
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verse, and pov/S thought with a shudder, “I wouldn't have been the
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messenger for #emph[anything];!”
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#include "poems/for-your-amusement-part-6.typ"
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There was a long pause.
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“Is that all?” pov/S timidly asked.
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“That's all,” said Humpty Dumpty. “Good-bye.”
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This was rather sudden, pov/S thought: but, after such a #emph[very]
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strong hint that pov/s ought to be going, pov/s felt that it would
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hardly be civil to stay. So pov/s got up, and held out pov/p hand.
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“Good-bye, till we meet again!” pov/s said as cheerfully as pov/s could.
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“I shouldn't know you again if we #emph[did] meet,” Humpty Dumpty
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replied in a discontented tone, giving pov/o one of his fingers to
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shake; “you're so exactly like other people.”
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“The face is what one goes by, generally,” pov/S remarked in a
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thoughtful tone.
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“That's just what I complain of,” said Humpty Dumpty. “Your face is the
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same as everybody has---the two eyes, so---” (marking their places in
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the air with this thumb) “nose in the middle, mouth under. It's always
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the same. Now if you had the two eyes on the same side of the nose, for
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instance---or the mouth at the top---that would be #emph[some] help.”
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“It wouldn't look nice,” pov/S objected. But Humpty Dumpty only shut his
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eyes and said “Wait till you've tried.”
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Pov/S waited a minute to see if he would speak again, but as he never
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opened his eyes or took any further notice of pov/o, pov/s said
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“Good-bye!” once more, and, getting no answer to this, pov/s quietly
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walked away: but pov/s couldn't help saying to pov/r as pov/s went, “Of
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all the unsatisfactory---” (pov/s repeated this aloud, as it was a great
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comfort to have such a long word to say) “of all the unsatisfactory
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people I #emph[ever] met---” Pov/s never finished the sentence, for at
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this moment a heavy crash shook the forest from end to end.
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